In front of the table stood the negroes, men, women and children. There was the preacher, decked in the clerical livery of a standing collar and white cravat, but, perhaps in deference to the day of the week, these were modified by the secular apparel of a yellow cotton shirt and homespun pantaloons, attached to a pair of old "galluses," which had been mended with twine, and pieced with leather, and lengthened with string, till, if any of the original remained, none could tell the color thereof nor what they had been in the day of their youth. The effect was not harmonious. There was Mammy, with her low wrinkled forehead, and white turban, and toothless gums, and skin of shining blackness, which testified that her material wants were not neglected. There was Wash, a great, stalwart negro, who ordinarily seemed able to cope with any ten men you might meet, now looking so subdued and dispirited, and of a complexion so ashy, that he really appeared old and shrunken and weak. There was William Wirt, the ploughboy, affected by a chronic grin which not even the solemnity of this occasion could dissipate, but the character of which seemed changed by the awestruck eyes that rolled above the heavy red lips and huge white teeth. There was Apollo—in social and domestic circles known as 'Poller—there was Apollo, his hair standing about his head in little black tufts or horns wrapped with cotton cord to make it grow, one brawny black shoulder protruding from a rent in his yellow cotton shirt, his pantaloons hanging loosely around his hips, and bagging around that wonderful foot which did not suggest his name, unless his sponsors in baptism were of a very satirical turn. There were Martha, and Susan, and Minerva, and Cinderella, and Chesterfield, and Pitt, and a great many other grown ones, besides a crowd of children, the smallest among the latter being clad in the dishabille of a single garment, which reached perhaps to the knee, but had little to boast in the way of latitude.

There they all stood in little groups about the yard, looking with awe and reverence at the great Dr. Rutherford, who sat behind the table with his black gown and frightful eyes and skull-crowned cap.

"You see these little heaps of powder and this bottle of water. You will come forward one at a time and pour a few drops of the water in this bottle on one of these little heaps of powder. If the powder turns black, the person who pours on the water is 'witched. If the powder remains white, the person who pours on the water is not 'witched. You may all examine the powders, and see for yourselves whether there is any difference between them, and you will each pour from the same bottle."

During a silence so intense that nothing was heard save the hum of two great "bumblebees" that darted in and out among the trees and flew at erratic angles above our heads, the negroes came forward and stretched their necks over each other's shoulders, peering curiously at the little mounds of powder that lay before them, at the innocent-looking bottle that stood in their midst, and the great high priest who sat behind. They stretched their necks over each other's shoulders, and each endeavored to push his neighbor to the front; but those in front, with due reverence for the uncanny nature of the table, were determined not to be forced too near it, and the result was a quiet struggle, a silent wrestle, an undertone of wriggle, that was irresistibly funny.

Then arose the great high priest: "Range ye!"

Not knowing the nature of this order, the negroes scattered instanter and then collected en masse around Mr. Smith.

"Range ye! range!" repeated the doctor with dignity, and Edward proceeded to arrange them in a long, straggling row, urging upon them that there was no cause for alarm, as, even should any of them prove 'witched, the doctor had charms with him by which to cast off the spell.

"Come, Martha," said Edward; but Martha was dismayed, and giving her neighbor a hasty shove, exclaimed,

"You go fus', Unk' Lumfrey: you's de preacher."

Uncle Humphrey disengaged his elbow with an angry hitch: "I don't keer if I is: go 'long yose'f."