The conversation went on. These ladies discussed politics, literature, art and society with absolute confidence. One of the topics was Alfred de Musset. The Englishwoman was praising the English Alfred, when a pale-faced girl, who up to this moment had been intently reading, oblivious of all about her, closed her book with a snap (it was a much-worn edition of one of the classics, bought for a few sous on the quay) and broke out with—"Your Tennyson is childish. His King Arthur puts me in mind of our Louis Philippe and his umbrella. Did you know Louis carried an umbrella with him when he was obliged to fly from Paris? One would have looked well held over Arthur's dragon helmet that disagreeable night he left the queen to go and fight his nephew. But perhaps Guinevere had lent it to Launcelot, and even the best friends, alas! do not return umbrellas. Your poet writes in white kid gloves, and thinks in them too. Imagine the magnificent rush and struggle of those ancient days, the ecstasy of battle, the intensity of life, and then read your Tennyson's milk-and-water tales, with their modern English-ménage feelings. Arthur would have been much more likely to give his wife a beating, as did the hero of the Nibelungen Lied, than that high-flown lecture; and it would have done the Guinevere of that time more good."
"And what is your Alfred, Anita?"
"He is divine."
"After the heathen pattern. He dipped his pen in mire."
"What is mire?—water and earth. What are we?—water and earth. Mire is humanity, and holds in itself not only the roots of the tree, but the germ of the flower. A poet who is too delicate to plant his thought in earth must be content to give it but the life of a parasite: it can have no separate existence of its own."
"But one need not be bad to be great."
"Nor need one be good to be great," returned Anita sarcastically. "Alfred de Musset was a peculiar type of a peculiar time. He did not imagine: he felt, he lived, he was himself, and was original, like a new variety of flower or a new species of insect. Tennyson has gleaned from everybody's fields: our Alfred gathered only from his own. The one is made, the other is born."
"Come away," said Afra impatiently: "no one can speak while Anita is on her hobby. Besides, I must get home early to trim a bonnet for to-morrow;" and without more leavetaking than a "Good-evening," which included every one, we found ourselves in the street.
"Who is Anita?" I asked.
"She is nobody just now: what she will be remains to be seen. Her family wish her to be an artist: she wishes to adopt the stage as a profession, and is studying for it sub rosa. Did you ever see a more tragic face?"