Approach I now Love's sacred bower,
And cast this wistful song at thee,
This fragrant song, as question-flower.
Accept with joy or scornfully,
Give my heart death or consolation,
Cast rosebud, rose, or thorn at me,
I humbly wait thy revelation.
Smilingly the maiden cast a rosebud at her waiting suitor, and for the first time fully displayed to him her beauteous face. From this moment new life dawned on our Mirza, and for six weeks he basked in the sunshine of felicity ere threatening clouds loomed up in his horizon. Then Ibrahim Chan returned from the war, and with him came his daughter's suitor. A troop of horsemen had been despatched to Avaria for the bridal gift, and on their return they were to conduct Achmed Chan and his chosen lady home. Prize combats and festivities were planned to celebrate the return of the heroes, and at Zuléikha's request a singing festival was likewise to take place. All the singers of the land were invited and bidden to prepare their choicest lays extolling the sovereign lady of the fête: to the victorious competitor would be accorded the right to break the instruments of his opponents.
Now was the time for Mirza-Schaffy to gather all his courage, for he knew the crisis of his destiny to be at hand. He arranged with Fatima that the day of the singing festival should be likewise that of his flight with Zuléikha, for he was troubled with no doubt concerning the success of his lyrical efforts. An Armenian who was about setting forth with a caravan was confided in, and engaged to reserve camels for and accord protection to the fugitives.
The minutes seemed like days, the hours like years, until the announcement was heralded that Ibrahim Chan had sallied forth with his guests to the prize combat, and that the ladies awaited the minstrels. They were assembled on the housetop, lovely matrons and maidens, and there was spread a large carpet on which set two players on the sass and tshengir, between whom each singer in turn took his place to sing his offering to the sound of strings. The handsomest boy in Gjändsha was appointed to hand to each singer a silver plate, wherewith to conceal from the eye of beauty the emotions depicted in his countenance while singing. Twenty singers stood in a circle and stepped forth one after the other, Mirza-Schaffy, as the youngest of the number, coming last. All other emanations he felt to be faint sparks in comparison with the fire of his own. How could it be otherwise, considering the source of his inspiration? As he sang his heart swelled with ecstasy, and when he concluded there lay at his feet a full-blown rose. He was victor of the festival, yet so filled was he with thoughts of his beloved that he remembered not to break the instruments of the vanquished.