Mrs. Middleton and Sissy exchanged glances. "Oh, my dear!" the old lady exclaimed. "Oh, I'm so frightened! I am afraid poor Horace is in trouble. Godfrey Hammond was saying only last night—"
She paused suddenly, looking at Percival. He sat with his back to the window, and the dark face was very dark in the shadow. It was just as well perhaps, for he was thinking "Told you so!" a train of thought which seldom produces an agreeable expression.
"What did Godfrey Hammond say?" Sissy asked. But nothing was to be got out of Aunt Middleton, so they adjourned to the drawing-room to wait for Horace's return. Percival read the paper; Mrs. Middleton lay on the sofa; Sissy flitted to and fro, now taking up a book, now her work, then at the piano, playing idly with one hand or singing snatches of her favorite songs. There was a mirror in which, looking sideways, she could see herself reflected as she played and Percival as he read—as much of him, at least, as was not swallowed up in the Times. There is something ghostly about a little picture like this reflected in a glass. It is so silent and yet so real: the people stir, look up, their lips move, they have every sign of life, but there is no sound. There are noises in the room behind you, but the people in the mirror make none. The Times may be rustling and crackling elsewhere, but Percival's ghost turns a ghostly paper whence no sound proceeds. Sissy is playing a little tinkling treble tune, but at the piano yonder slim white fingers are silently wandering over the ivory keys, and the girl's eyes look strangely out from the polished surface.
Sissy gazed and mused. Perhaps some day Percival will reign at Brackenhill. And who will sit at that piano where the ghost-girl sits now, and what soundless melodies will be played in that silent room?
Sissy's left hand steals down to the bass, striking solemn chords. "If one could but look into the glass," she thinks, "and see the future there, as people do in stories! What eyes would look out at me instead of mine? Ah, well! If I could but see Percival there I would try to be content, even if the girl turned away her face. I would be content. I would! I would!"
She turns resolutely away from the mirror, and begins that old royalist song in which yearning for the vanished past and mourning for the dreary present cannot triumph over the hope of far-off brightness—"When the king enjoys his own again." To Mrs. Middleton, to Percival, a mere song—to Sissy a solemn renunciation of all but the one hope. Let her king enjoy his own, and the rest be as Fate wills.
The last note dies away. Moved by a sudden impulse, she lifts her eyes to the ghost Percival. He has lowered his paper a little, and is looking at her with a wondering smile. A voice behind her exclaims, "Why, Sissy!" She darts across the room to the speaker and pushes the Times away altogether. "Percival," she says in a low, breathless voice, "does Miss Lisle play?"
"Miss Lisle!" He is surprised. "Oh yes, she plays. But not as well as her brother, I believe."
"And does she sing?"
"Yes. I heard her once. But no better than you sang just now. What has come to you, Sissy? You have found the one thing that was wanting."