"They are early birds at the farm, no doubt?"
"Early? Rather! At half-past nine old Collins creaks up stairs, and Mrs. Collins goes into the kitchen and rakes out the cinders for fear of fire. I was out late one night last week, and she couldn't wake the old man up to let me in. It was twenty minutes to eleven."
"Did she come herself?" said Percival. "I know Mrs. Collins by daylight, but I can't imagine Mrs. Collins aroused from her first sleep."
"'Where ignorance is bliss.' The dear old lady kept me on the doorstep for ten minutes or so while she was trying to make up her mind whether she would keep her nightcap on, or whether she would take it off and put on the light-brown front she ordinarily wears. At last she made up her mind to retain the nightcap and add the front by way of a finish. But I have it on her own authority that she was flurried and all of a shake, so she didn't carry out her idea skilfully. The cap was half off and the front was only half on. I saw her forehead getting lower and lower as she spoke to me."
"Could she ever forgive you for seeing her so?"
"Oh yes. I'm rather a favorite, I think. She beamed on me just the same the next morning."
"She did?" said Thorne. "A wonderful woman!"
"I think I shall ask her for a lock of her chestnut hair to-morrow before I go, to show that my faith in it is—well, as implicit as ever. Ah! by the way, I got my letter. I thought most likely I should. I leave the first thing in the morning."
"Sorry to hear it," said Percival. But it occurred to him that the artist's departure would prevent any talk the next day of the circumstances of their meeting that evening. He jumped down, with hasty thanks to his new friend when they came to the little gate. "You'll be in a ditch if you don't look out," he called after him.
"All right!" was shouted back, and old Collins's gig vanished into the outer darkness with the young artist, whom Percival Thorne has never chanced to meet again to this day.