The latter went to the library. It was a tiny, red-frescoed room fitted up in black walnut. There were plants in the bay-window: Mrs. Greymer stood among them, her soft gray wrapper falling in straight and ample folds about her slender figure. Her face was turned toward the countess; a loosened lock of black hair brushed the blue vein on her cheek; she held some lilies-of-the-valley in her hand, and the gold of her wedding-ring shone against the dark green leaves.
"She looks like one of Fra Angelico's saints," thought the countess: "the crimson lights are good too."
She stood unnoticed in the doorway, leisurely admiring the picture. Mrs. Bailey sat in the writing-chair on her right. Once, probably, she had been a pretty woman, and she still had abundant wavy brown hair and large dark-blue eyes with curling lashes; but she was too thin and faded and narrow-chested for any prettiness now. Her calico gown was unstarched, though scrupulously clean: she wore a thin blue-and-white summer shawl, and her old straw bonnet was trimmed with a narrow blue ribbon pieced in two places. Her voice was slightly monotonous, but low-keyed: as she spoke her hands clasped and unclasped each other. The veins stood out and the knuckles were enlarged, but they were rather white than otherwise.
She went on with her story: "The children are so good, Mrs. Greymer; but six of them, and me not over strong—it makes it hard. We hain't had anything but corn meal in the house all this week, and the second-hand woman says our things ain't worth the carting. The children have got so shabby they hate to go to school, and the boys laugh at Willie 'cause his hat's his pa's old one and ain't got no brim, though I bound it with the best of the old braid, for I thought maybe they'd think it was a cap. And the worst was this morning, when there was nothin' but just mush: we hadn't even 'lasses, and the children cried. Oh, I didn't go to tell you all this: you know I ain't a beggar. I've tried to live decent. Oh dear! oh dear!" She tried to wipe away the tears which were running down her thin cheeks with the tips of her fingers, but they came too fast. Mechanically, she put her hand in her pocket, only to take it out empty.
Mrs. Greymer slipped her own dainty handkerchief, which the countess had embroidered, into the other's hand. "You ought to have come to me before, Martha," she said reproachfully—"such an old friend as I am!"
"'Tain't easy to have them as has known you when you were like folks see you without even a handkerchief to cry on," said Mrs. Bailey. "If I'd known where to turn for a loaf of bread, I'd not ha' come now; but I can't see my children starve. And I ain't come to beg now. All we want is honest work. William has been everywhere since they sent him away from Dorsey's just because the men talked about striking, though they didn't strike. He's been to all the machine-shops, but they won't take him: they say he has too long a tongue for them, though he's as sober and steady a man as lives, and there ain't a better workman in M——, or D—— either. William is willing to do anything: he tried to get work on the streets, but the street commissioner said he'd more men he'd employed for years asking work than he knew what to do with. And I thought—I thought, Mrs. Greymer, if you would only speak to Mrs. von Arno—"
"Good-morning, Mrs. Bailey," said the countess, advancing. She had a musical voice, clear and full, with a vibrating quality like the notes of a violin—a very pleasant voice to hear, yet it hardly seemed reassuring to the visitor. Unconsciously, she sat up straighter in her chair, her nervous fingers plaiting the fringe of her shawl.
"I heard you mention my name," the countess continued: "is there anything you wish of me?"
Therese came to Mrs. Bailey's assistance: "Her husband is out of work: can't you do something with Mr. Seleigman, Helen? Bailey is a good workman."
"He is indeed, ma'am," added Bailey's wife eagerly, "and as sober and faithful to his work: he never slights one bit."