And Scribe of “The Idyll of the White Lotus,” and “Through the Gates
of Gold.”
CHAPTER III.
In a chapel of the great Cathedral in the city there was at certain hours always a priest who held there his confessional.
To him went Hilary some days later. In the interim he had not seen the Princess. His soul had been torn hither and thither, to and fro. His passion for the beautiful girl held him fast, while his horror of the magician repelled him from her. He went to the Cathedral in the afternoon determined that he would reveal all his distress to the priest. Father Amyot was in his confessional, but some one was with him, for the curtain was drawn. Hilary knelt down at the small altar of the chapel there to wait. Presently there was a slight sound; he turned his head to see if the confessional was now free. The Princess Fleta stood beside him, her eyes fixed on him; it was she who at this instant only had risen from her knees in the confessional. Hilary, amazed and dumb with wonder, could only gaze upon her. She kept her strange and fascinating eyes fixed on his for a moment and then turned and with swift, soft steps left the chapel. Hilary remained kneeling motionless before the altar, his mind absorbed in what was hardly so much thought as amazement. Fleta was not then what he thought her. If she were sensitive to religious impressions she could not be the cold magician which she had appeared to him to be when he recollected the last scene in the laboratory. Perhaps after all she used her power generously and for good. He began to see her in another light. He began to worship her for her goodness as well as for her strong attractions. His heart leaped with joy at the thought that her soul was as beautiful as her body. He rose from his knees and turned instinctively and without thought to follow her. As he did so he passed Father Amyot, who seeing that no one else came immediately to the confessional, had left it and flung himself at full length upon the ground before the altar. He wore a long robe of coarse white cloth, tied at the waist with a black cord; a hood of the same cloth covered his shaven head. He was like a skeleton, perfectly fleshless and emaciated. His face lay sideways on the stone; he seemed unconscious, so profound was his abstraction. The eyes were open but had no sight in them. They were large grey blue eyes, full of a profound melancholy which gave them an appearance as if tears stood in them. This melancholy affected Hilary strangely; it touched his heart, made thrill and vibrate some deeply sensitive cord in his nature. He stood gazing a moment at the prostrate figure, and then with a profound obeisance left the chapel.
The Princess Fleta had her horse waiting for her. She was a constant and daring rider, and seldom entered the city except on horseback, to the amazement of the court ladies, who in the city rode in carriages that they might dress beautifully. But Fleta had no vanity of this kind. Probably no other girl of her age would have willingly adopted the hideous dress of the witch and worn it before so many curious eyes. Her own beauty and her own appearance was a subject of but the slightest thought to her. She would walk down the fashionable promenade in her riding habit among the magnificent toilettes of the Court ladies. This she was doing now while a servant led her horse up and down. Hilary watched her from a distance, unable to summon courage to approach her in the midst of such a throng of personages. But presently Fleta saw him and came with her swift light step towards him. “Will you walk with me?” she asked. “There is no one here to be my companion but you.”
“And why is that?” asked Hilary, as with flushed face and eager steps he accompanied her.
“Because there are none that sympathise with me. You alone have entered my laboratory.”
“But would not any of these be glad to come if you would admit them?”