“It is not time yet to ask me the meaning of what you may see here. Some day, perhaps, when you know more, you may have the right to question me: but not now. See, I can change this appearance that distresses you, in a moment.”
She raised the prostrate figure, and flung off from it the white robe that resembled Father Amyot’s. Beneath, it was clothed in a dull red garment such as Hilary had first seen it in. With a few swift touches of her hand the Princess changed the expression of the face. Father Amyot was gone, and Hilary saw sitting in the chair before him that unindividualised form and face which at his visit to the laboratory had affected him with so much horror. The Princess saw the repugnance still in his face, and with a laugh opened the screen with which she had hidden the figure before.
“Now,” she said, “come and sit beside me on this couch.”
But before she left the great vessel she threw in more incense and lit it. Already Hilary was aware that the fumes of that which had been already burned had affected his brain. The red figures moved upon the black wall, and he watched them with fascinated eyes.
They shaped themselves together not, this time, into words, but into forms. And the wall instead of black became bright and luminous. It was as though Hilary and Fleta sat alone before an immense stage. They heard the spoken words and saw the gestures and the movements of these phantasmal actors as clearly and with as much reality as though they were creatures of flesh and blood before them. It was a drama of the passions; the chief actors were Hilary and Fleta themselves. Hilary almost forgot that the real Fleta was at his side, so absorbed was he in the action of the phantasmal Fleta.
He was bewildered, and he could not understand the meaning of what he saw, clearly though the drama was enacted in front of him. He saw the orchard full of blossoming trees; he saw the splendid savage woman. He knew that he himself and this Fleta at his side, were in some strange way playing a part under this savage guise; but how or what it was he could not tell. Fleta laughed as she watched his face. “You do not know who you are,” she cried. “That is a great loss and makes life much more difficult. But you will know by and bye if you are willing to learn. Come, let us look at another and a very different page of life.”
The stage grew dark and moving shadows passed to and fro upon it, great shadows that filled Hilary’s soul with dread. At last they drew back and left a luminous space where Fleta herself was visible. Fleta, in this same human shape that she wore now, yet strangely changed. She was much older and yet more beautiful; there was a wonderful fire in her brilliant eyes. On her head was a crown, and Hilary saw that she had great powers to use or abuse—it was written on her face. Then something drew his eyes down and he saw a figure lying helpless at her feet—why was it so still?—it was alive!—yes, but it was bound and fettered, bound hand and foot.
“Are you afraid?” broke out Fleta’s voice with a ring of mocking laughter in it. “Surely you are not afraid—why should I not reign? why should you not suffer? You are a cynic; is there anything good to be expected?”
“Perhaps not,” said Hilary. “It may be that you are heartless and false. And yet, as I stand here now, I feel that though you may betray me by and bye, and take my life and liberty from me, yet I love your very treachery.”
Fleta laughed aloud, and Hilary stood silent, confused by the words he had spoken hastily without pausing to think whether they were fit to speak or not. Well, it was done now. He had spoken of his love. She could refuse ever to see him again and he would go into the outer darkness.