The Night of the Great Blizzard
Our first American tours were in 1883-1884; the third was in 1887-88, the year of the great blizzard. We were playing in New York when the storm began, and Henry came to fetch us at half-past ten in the morning. His hotel was near the theatre where we were to play at night. He said the weather was stormy, and we had better make for his hotel while there was time. The German actor, Ludwig Barnay, was to open in New York that night, but the blizzard affected his nerves to such an extent that he did not appear at all and returned to Germany directly the weather improved!
Most of the theatres closed for three days, but we remained open, although there was a famine in the town and the streets were impassable. The cold was intense. Henry sent Walter out to buy some violets for Barnay, and when he brought them in to the dressing-room—he had only carried them a few yards—they were frozen so hard that they could have been chipped with a hammer.
We rang up on "Faust" three-quarters of an hour late. This was not bad, considering all things. Although the house was sold out, there was hardly any audience, and only a harp and two violins in the orchestra. But discipline was so strong in the Lyceum Company that every member of it reached the theatre by eight o'clock, although some of them had had to walk from Brooklyn Bridge. The Mayor of New York and his daughter managed to reach their box somehow. Then we thought it was time to begin. A few members of Daly's company, including John Drew, came in, and a few friends. It was the oddest, sparsest audience! But the enthusiasm was terrific.
Five years went by before we visited America again. Five years in a country of rapid changes is a long time, long enough for friends to forget. But they didn't forget. This time we made new friends, too, in the Far West. We went to San Francisco, among other places. We attended part of a performance at the Chinese theatre. Oh, those rows of impenetrable faces gazing at the stage with their long, shining, inexpressive eyes. What a look of the everlasting the Chinese have! "We have been before you—we shall be after you," they seem to say.
The chief incident of the fifth American tour was our production at Chicago of Laurence Irving's one-act play "Godefroi and Yolande." I regard that little play as an inspiration. By instinct the young author did everything right.
In 1900-1 I was ill and hated the parts I was playing in America. The Lyceum was not what it had been. Everything was changed.
In 1907—only the other day—I toured in America for the first time on my own account—playing modern plays for the first time. I made new friends and found my old ones still faithful.
But this tour was chiefly momentous to me because at Pittsburg I was married for the third time, and married to an American, Mr. James Usselman of Indiana, who acts under the name of James Carew.