Four hundred boys simpered, smirked, grinned, giggled, tittered, chuckled, and guffawed. A wine of merriment flushed the crowd and mounted to the old mummer's brain and heart. He skipped and danced and sang; he went through all the drollery and tomfoolery, all the old comic business he could recall.
The children nudged each other, dug their fists into each other, and cheered: "Oh, you Barnesy!" "Kill it, Kid!" "Whatcha know about dat!" "Sand it down, Barnesy!" The old-timer was doing the famous lock-step jig he had done with Pat Rooney in "Patrice" fifteen or twenty years before. It was so old that it was new. Encore followed encore. The perspiration cascaded through his pores; he grinned and winked and frisked and capered. They would not let him stop. At the end of twenty-five minutes he bowed himself off the stage, and still they called him back. When he gave them, for the "call," the Little Johnny Dugan pantomime from "The Rainmakers," the East Side children, born since the day of such things, were suffocated with delight.
What did Dugan do to him?
—They say he was untrue to him.
Did Dugan owe him money?
—No; he stole McCarthy's wife!
Who? Little Johnny Dugan?
sang Barnes with a quizzical flirt of his head; and lungs that were wont to fill the city streets with news could not even gasp for laughter.
The secretary of the organization followed with a speech about future entertainments; another official read a letter from a prominent financier promising the boys a swimming-pool and a half dozen summer excursions.
"Somebody bang de box!" suggested a voice, after a pause.
Nobody could—except Barnes; and he volunteered. The whole affair was now like one big family circle, each one secure in the amity of the other, and when the old man sat down at the cracked piano, he sang as if he were singing to himself, easily and without restraint. A quiet held the house, and even the children were touched; for Harry Barnes was quavering through the simple lines of "Should Auld Acquaintance Be Forgot." After that he gave them the Lullaby Song from "Erminie," and somehow it did not at all appear incongruous that a careworn mimic of fifty should be singing to careworn workingmen of ten, down on the Bowery, in a gymnasium, a verse about pretty little eyelids and sleeping darlings. The world, fortunately, is not always with us; and the song ended in a silent applause.
For two hours the entertainment went on, speeches and official plans interspersed with the antics of Barnes.
