| PAGE |
| A DISCLOSURE OF THE SECRET POLICIES OF RUSSIA. By General Kuropatkin. | [363] |
| TALKS WITH BISMARCK. By Carl Schurz. | [367] |
| THE FOREHANDED COLQUHOUNS. By Margaret Wilson. | [378] |
| LAST YEARS WITH HENRY IRVING. By Ellen Terry. | [386] |
| THE LOST MOTHER. By Blanche M. Kelly. | [399] |
| PATSY MORAN. THE BOOK AND ITS COVERS. By Arthur Sullivan Hoffman. | [401] |
| ARCTIC COLOR. By Sterling Heilig. | [411] |
| THE TAVERN. By Willa Sibert Cather. | [419] |
| A STORY OF HATE. By Gertrude Hall. | [420] |
| HIS NEED OF MIS’ SIMONS. By Lucy Pratt. | [432] |
| PROHIBITION AND SOCIAL PSYCHOLOGY. By Hugo Münsterberg. | [438] |
| THE MOVING FINGER WRITES. By Marie Belloc Lowndes. | [445] |
| A BUNK-HOUSE AND SOME BUNK-HOUSE MEN. By Alexander Irvine. | [455] |
| THE KING OF THE BABOONS. By Perceval Gibbon. | [467] |
| ONE HUNDRED CHRISTIAN SCIENCE CURES. By Richard C. Cabot | [472] |
| SOUTH STREET. By Francis E. Falkenbury. | [476] |
| THE INABILITY TO INTERFERE. By Mary Heaton Vorse. | [477] |
| PROHIBITION AND SOCIAL PSYCHOLOGY. By Dr. Münsterberg. | [482] |
| General Alexei Nicholaevitch Kuropatkin | [363] |
| Kaiser Wilhelm I | [369] |
| Prince Otto Von Bismarck | [372] |
| Count Hellmuth Von Moltke | [373] |
| The Chancellor’s Palace on the Wilhelmstrasse | [374] |
| The Battle of Königgrätz | [374] |
| Emperor Napoleon III | [376] |
| “Jane and Selina ... Looked at Patient and Nurse with Disapproving Gloom” | [378] |
| “She Could Not Help Seeing That Selina Found Some Strange Pleasure in all These Incidents of a Last Illness” | [382] |
| Ellen Terry as Kniertje in “The Good Hope” | [387] |
| John Singer Sargent | [388] |
| Sir Edward Burne-Jones | [388] |
| Ellen Terry as Lady Macbeth | [389] |
| Peggy, Madame Sans-Gene, Madame Sans-Gene, Cordelia | [390] |
| Imogen, Lucy Ashton, Catherine Duval, Lucy Ashton | [390] |
| Cardinal Wolsey, Lady Macbeth, Guinevere, Thomas Becket | [391] |
| Nancy Oldfield, Hermione, Alice-Sit-by-the-Fire, Lady Cicely, Wayneflete | [391] |
| Miss Ellen Terry | [392] |
| Sir Henry Irving | [392] |
| Ellen Terry as Queen Katherine in Henry VIII | [395] |
| The Book and Its Covers | [401] |
| “Pardon Me,” He Said, “But What Are You Doing That for?” | [402] |
| “Ye’d Better Be Usin’ Your Brains to Walk With, and Not Strainin’ Thim Like That” | [407] |
| Midnight in the Kara Sea | [411] |
| “The Country of the Dead”—A Study of the Kara Sea in August | [413] |
| Samoyed Love of Color | [414] |
| Painting of a Sledge Set Upon End for the Night, With Skins and Meat Hung Upon It So as to Be Out of Reach of the Dogs | [415] |
| A Study Made in Nova Zembla at the Time of the Complete Eclipse of the Sun, July 27, 1896 | [416] |
| Painting of a Church Built by M. Seberjakow | [417] |
| In the Midnight Sunshine | [418] |
| His Need of Mis’ Simons | [432] |
| ‘I Couldn’ Git ’Long ’Thout Yer Noways, Could I?’ She Say | [433] |
| ‘She Keep on A-Readin’, an’ I Keep on A-Wukkin’ on de Paff’ | [434] |
| ‘It’s Time Fer You ter Go to Baid, Ain’t It, ’Zekiel?’ She Say | [435] |
| ‘’Tain’ Gwine Nobody Else Git—Fru—Dat—Do’,’ She Say | [436] |
| The Bunk-House | [459] |
| One Night the Graf Was Prevailed Upon to Tell His Story | [461] |
| The Sitting-Room of the Bismarck | [462] |
| I Noticed a Profile Silhouetted against the Window | [463] |
| St. Francis of the Bunk-House | [464] |
| They Sat on Their Rumps Outside the Circle of Kafirs | [467] |