At one end of the village stood a century-old house, infinitely seemly in line and proportion, in color unblemished white. A hint of the manorial, if not the temple-like, it owed to a front of broad stairs and fluted columns, upholding a pediment which over-hung the ground-floor window-doors and shadowed the windows of the upper story. An equal dignity and rather serious beauty belonged to the arrangement of the surrounding garden. Year after year, the same plants bloomed there, the sort, mostly, we call old-fashioned. A reverence for ancestral predilections determined the colors and fragrances to be enjoyed to-day; but as these fairly accorded with the present owners’, the garden remained a true expression of the house’s inhabitants.
At the other end of the village, overlooking the main street, stood a new house, fruit of what seemed now and then to some one the most singularly successful research in vulgar ugliness. But to a large proportion of the villagers it embodied the last word of splendor: it had, on the face of it, cost enormously, and necessarily met the tastes of many, from the fact that it offered some specimen of every style the one who planned it had admired in any dwelling ever seen by her: turrets, balconies, projecting windows, a Renaissance roof, acres of verandah, and, ornamenting all, as lace might a lady’s garment, numberless yards of intricate wooden openwork. It had originally been painted in three colors, but one day, no one divined at what prompting, a gang of workmen was seen overlaying the rich buff, russet, and green, with white, and the house stood forth among its trees no longer utterly condemnable to the more fastidious, but clothed in such redeeming grace as we might find in a person who with every fault had yet some quality of candor. Pyramidal masses of hydrangea flanked the entrance-door and spread in opaline patches upon the lawn; a round of ornamental water, with a central statue and a border of sea-conchs, supported the green pads of lilies,—the pink variety. The estate was bounded on the street by a fence of wrought iron,—more ponderous lace, in this case black.
In these two houses lived two women who frankly could not bear each other. We had nearly said two beautiful women, but the one impressed rather by charm than any unusual felicity of form, and the other, strikingly effective, “stunning,” as she was frequently described, displeased almost as many as she pleased. Yet each of them had heard herself called beautiful often enough to have assumed the bearing and outlook upon life of a beautiful woman: there was something positive in the claim of each that her will should be given weight. We have said they hated each other: but each fair bosom harbored a very different sentiment from the other. Celia Compton, the charming, who lived in the peaceful ancient house, hated Judith Bray, the red-blooded beauty for whom had been built the architectural monstrosity on the main street, merely as one hates smoke in the eyes, a grating sound, or shudders at the thought of flannel against the teeth. But Judith lay awake in the night, unable to sleep for hating Celia Compton so, and would hardly have suffered more from stabs with a knife than she did from the recapitulation of what she called the slights put upon her by Celia. She turned hot and cold at the recollection, and clenched her hands while she devised sanguinary methods of getting even with her. When the sane light of day returned, these must be dropped: for Celia’s offences were, after all, such as can hardly be visited with vengeance; they could not even be defined. But Judith had a companion, a poor relative whom she had taken to live with her, an insignificant, homely, middle-aged-looking young woman called Jess, who understood without definition, and with whom she could enlarge upon the subject of Miss Compton without concern for being precise as to facts or just as to 421 assumptions,—true only to her dislike, and correct in her sense of the dislike felt for her by Celia. It was with this Jess she planned some of the crude impertinences by which she endeavored to retaliate upon her enemy.
When Celia, at the death of her father, the Egyptologist, whose obituary notice thrust aside the daily news by an ample column, had decided to come back and spend her summers in the grandparents’ house where much of her childhood had been spent, she had looked forward with infinite affection to this return to the tenderly remembered old village which she had not seen for half a dozen years. The vision of it, always in apple-blossom time, had used often to interpose between her and yellow reaches of the Nile. She had been informed, no doubt, in letters, of innovations at home, but had read, as became evident afterwards, without bringing home to herself the meaning of these communications, for it was with a shock she at last beheld them. There had been in the village, as the image of it lived in her brain, one modest store to which you went for everything. It was kept by a good, simple man whose wife and children as often as he waited upon the customers: all people with whom you in good country fashion talked over the affairs of the country-side, crops, church-festival, change of minister. In place of this now stood a large, showy building called the Emporium. One Matthew Bray, from outside, had bought out the widow of the old store-keeper, and enlarged the business as you might see. From all over the county people came to trade there. There was no longer the necessity to go by rail to the city to shop: here were dress-stuffs, trimmings, fashion-books, a millinery department. In reality the thing was not ill done, since it perfectly met a need, but Celia stared at it in helpless grief, hurt as by hearing a familiar melody bawled out of tune. Then she was driven past the new house—it was still tri-colored—and her mind was made up about the Brays.
She loved many of the village people, with whom she had stood from infancy in the simplest cordial relations. It hurt a little to discover their pleasure in these changes, the mean ambitions, as it seemed to Celia, which they were developing. She found it difficult to be just, and pardon as natural their satisfaction in the growing material prosperity brought about by the influx of people drawn by the Emporium. The widow of the old store-keeper, upon the strength of it, had opened an Ice-Cream Room. They loved the increased liveliness, too. Celia could not blame them: her winters were lively, while theirs were dull enough. But she came here for rest, the village of her love had been ideally sleepy. Now it was spoiled for her. It hurt her, too, like a needle-point of neuralgia, to observe, as she fancied, a new tone among the younger people. Were those really attempts at style and dash and smartness she witnessed in the children of good old Asah and Jerusha Brown? Heart-sick, if she allowed herself to consider the spreading of a leaven which would in time unfit the place for her habitation, she lived more secluded than had been her habit while there in former days. The old house was easily sufficient to itself in the matter of society. The family made but a small group, but friends of Celia’s from the outside world succeeded each other in the enjoyment of the Comptons’ hospitality, of an elegance as simple as it was graceful.
She had half suspected what pernicious admiration must be at the root of the degeneracy she perceived among the village girls, when one day—this was soon after her return—she saw Judith Bray. It was in the Emporium, for, no matter how much you hate an Emporium, if there is not the least thread-and-needle store beside, you may be forced to patronize it. The attendant, matching embroidery-silks for her, bent to say: “That across the aisle is Miss Bray.” Celia looked.
For some time she had been aware of a strong feminine voice exchanging witticisms with the clerk, but had paid no attention. She saw a handsome brunette, of what she called to herself, as she thought Judith over on the way home, a crude sort of primitive beauty, as if that superb body and face had been kneaded with profusion of coarse materials and not carefully finished off: large yet quick dark eyes, a black abundance of hair, features of an indescribably triumphant cast. The physical exuberance clearly expressed in the young woman’s color and molding seemed condensed in a voice and laugh whose chime cut ringingly through all contending sounds. She was dressed with conspicuous elegance, according to her own idea, which the community accepted from her. If one discarded all standards, this solid prize-fruit was certainly good to look at. Celia granted so much, but did not for the fraction of an instant relinquish her standards. Personally, she could no more relish that presence than a perfume or a flavor too pronounced; it may be doubted whether that particular perfume and flavor would have been to her taste in the weakest dilution.
While she was thus in the act of stealing glances, Judith abruptly swung round. The clerk, showing off the last importation of dress-fabrics, had whispered to her, “That just behind you is Miss Compton,” and Judith, breathless 422 with interest, turned her full bright eye upon the one who, in Judith’s own words, had been “the most important person socially” until she came.
“She looks just as I thought she would,” she said low to the clerk; and she contrived to find herself near the door when Celia was leaving, and, smiling an assured smile, she said, “I am so glad to see you back, Miss Compton. I have heard so much about you, I feel as if you were already an old acquaintance. I wish you would come and see me. I suppose we are still new-comers to you, so according to the ways here it would be your place to call first, wouldn’t it, though I shouldn’t mind a bit coming first, if you say so....”
Celia, flushing at the intolerable offensiveness to her of this, replied in a low soft voice that she was at present not going out at all, and with a bow of the most finished perfection passed forth. It had been so well done that Judith, who felt snubbed at the moment, rejected, upon consideration, the idea of a repulse, and the year after, when Miss Compton was out of mourning, sent her an invitation. Celia declined it in a note which contained not one discoverable prickle, but yet had about it an atmosphere that seemed to numb Judith’s hand which held it. To the most critical examination, however, it showed nothing that was not completely civil, and the unwary Judith permitted herself to act upon the verdict of her brain, and again, and at intervals again, made overtures to Celia, of whom she had from the first glance fallen into the most extravagant admiration. It was her native conceit which prevented her for such a long time from reaching the certainty that a closer acquaintance with her was not desired. For what reason?... How could such a thing be?... She was in her proper esteem so beyond question as desirable an acquaintance as any person could have. And she was attracted by Celia as she had never been by woman or man before. Though she was far from being so humble as to wish herself in any wise altered to resemble her, it was the difference between them, no doubt, which gave such fascination for her to Celia’s every way of being, her coolness, restraint, that personal pride so quiet it had the face almost of modesty, and her manner! her air!... Covering the house with white paint was, however, the only tribute of imitation Judith ever paid her, and it was not conscious: she had merely looked at the white house so much that she judged the paint on her own house to have become, with wear, more glaring.