THE MUSEUM OF NATURAL HISTORY.

By Warren Taylor.

The completion of the new building of the American Museum of Natural History marks the second step toward the realization of one of the most colossal schemes ever formed for the promotion of science. The plan will not be fully carried out until the whole of Manhattan Square, on a part of which the present edifice stands, is covered with a structure of imposing extent and immense capacity, which is to become the great headquarters of natural science on this continent, and to rank on at least an equality with any similar institution in the world.

Natural history is a department of knowledge that should be of especial interest to the inhabitants of a country where nature displays her wonders on so tremendous a scale and her riches in such exhaustless variety. And indeed America’s contributions to that branch of science have already been great. Of this the names of Alexander Wilson, Charles Lucien Bonaparte, James E. DeKay, James Dwight Dana, and others no less noteworthy, will serve as sufficient evidence.

Scientific societies were among the earliest developments of American intellectual life, and in our leading cities they have received a constant and growing support. Oldest of all is the Philosophical Society of Philadelphia, which issued scientific works as long ago as 1769. In 1780 the American Academy of Arts and Sciences was organized in Boston, and in 1812 the Philadelphia Academy of Natural Science began its useful existence. New York was later in entering the field. The Lyceum of Natural History, the germ of the present establishment, was originated in 1817. In 1869 its collections were destroyed by fire, but the disaster proved to be the beginning of its expansion. Some prominent and public spirited members of the society, realizing the importance of securing for it safer and more extended quarters, took steps to establish it upon a broader basis as one of the recognized institutions of the metropolis. The American Museum of Natural History was incorporated by the Legislature, and an ample and well situated plot of ground, covering four entire city blocks, was assigned to its use by the municipal park department, which has also paid for the erection and maintenance of the museum building.

Of the immense structure designed by the incorporators of the museum, an interior wing, about one twentieth part of the whole mass, was the first erected. The corner stone was laid by President Grant in June, 1874, and the building was opened in December, 1877. Its external appearance is by no means unattractive, although in its design architectural beauty was subordinated to practical considerations of light and arrangement. Its collections are displayed in three great halls, one of which has its floor space almost doubled by a capacious balcony. Above these is an attic story, containing the library of the institution and a number of chambers set apart as lecture rooms, laboratories, and the like.

THE NEW BUILDING OF THE AMERICAN MUSEUM OF NATURAL HISTORY.

The board walk that runs diagonally from Seventy Seventh Street and Central Park to Eighty First Street and Columbus Avenue—the two points at which visitors usually approach the museum—passes, midway, the present entrance, whose unpretentious aspect is a most decided contrast to the solid magnificence of the newly finished front. It leads directly to the first great hall, on the ground floor, which is mainly occupied by the Jesup collection of American woods. This is an assemblage of specimens of trees indigenous to North America, wonderfully complete and well arranged. Each is cut so as to display the bark and the polished and unpolished timber, with a colored map that shows at a glance the geographical distribution of the species. In most instances an entire section of the trunk is exhibited, and on the west side of the hall there are two colossal specimens, worthy to serve as round tables for King Arthur, which may prompt the unobservant visitor to exclaim, “Those must be the Big Trees of California!” Such is not the case, though both of them hail from the Pacific coast, being respectively the Yellow and the Sugar Pine. A specimen of the Sequoia gigantea is in an adjoining case, where it attracts less attention because it is but a comparatively small fragment of the trunk of one of those famous monarchs of the vegetable kingdom.