Indeed, it almost seemed as though the press and reviews alike had been organized as completely as had the army and navy for the prosecution of the war with the sole object in view of preventing Germany ever again from using the Peninsula as a territory for exploitation. The propaganda for Italia Irredenta suddenly sank into insignificance beside the determination to throw off, once and for all, the German commercial, industrial, and financial yoke, revealing the abiding faith of the Italian people that their army would attend to the former as completely as desirable and without the advice and criticism of civilians. Faith in their King and their army and in their ultimate success is not a matter for argument among Italians.

Meanwhile, the staffs of all publications, from editors to compositors, have felt the weight of conscription—sacrifices they enthusiastically make for the common cause. Their pages may be fewer and some favorite contributors may be heard of no more, but they are sure that the public will bear with them. On the other hand, a new periodical has sprung into existence called La Guerra d'Italia nel 1915—The Italian War of 1915—the first number of which has just come to hand. Its introduction accompanied with several well-made portraits constructs the basis of Italy's action—how Italy having been tricked through a fancied fear of France and the apparent unresponsiveness of England into entering the Triple Alliance in 1882, had been forced to remain there, possibly protected thereby from actual Austrian aggression, but ever a prey to German exploitation. Then comes an analysis of the Italo-Austrian negotiations, conducted directly and through Prince von Bülow, the Special German Ambassador in Rome, showing why these negotiations could not possibly have succeeded. Like the Government itself the new periodical is in no haste to describe military operations.

The first review to devote almost its entire space to the war was La Vita Internazionale of Milan. The opening article is by the well-known publicist E.T. Moneta. He begins:

Without boast but with self-esteem secure, Italy has taken her place in the combat among the nations which for ten months have been fighting for the liberty of the people and the cause of civilization. The enthusiasm with which this announcement has been received in France, Russia, and England, and especially in martyred Belgium, is enormous. For they have all understood what decisive effect our army would produce on the destiny of the Great War.

The fighters for liberty and civilization who have always hoped for an ultimate victory, today feel the certainty of that hope, and that the duration of the war with the loss of millions of other lives will be shortened. For this reason, from those governments and people, from their parliaments and from their press, from workingmen's societies and from institutions of learning there have come to our country warm words of admiration and of social unity. All these things form an added inspiration for us to do our best to hasten the end of this slaughter of men.

Signor Moneta goes on to compliment the diplomacy of Premier Salandra for resigning from office and thus giving the people the opportunity to show through their demonstrations that they desired war and to silence once and forever the propaganda of Giolitti who had declaimed in vain that the people did not want war, as they could secure by negotiations unredeemed Italy—as though that were all.

Another article is by D. Giuseppe Antonini and is entitled "The German Madness." Its subject, full of quotations from Treitschke, Nietzsche, and Bernhardi, is not new to Americans. For Italians it may come as a revelation. It demonstrates the formative influences which have found expression in what is called "Prussian Militarism," as an attitude of mind which believes in the supremacy of force over all things—over goodness, virtue, kindness, and all else that make life worth living. It declares that Prussian Militarism has so possessed all Germans that not only their moral but their logical point of view has become distorted, so that they behold nought but virtue in applying science to bring about Mediaeval results. The conflict, he declares, is between absolutism which pretends to be sufficient unto itself and democracy which receives its power from the people, and that the latter must win unless centuries of the power, by revolutions without number, for the benefit of the masses are to end in failure.

Paolo Baccari deals with "The Supreme Duty." He says that the intervention of Italy was not merely to complete Unification by uniting all Italians of the Peninsula and the Adriatic littoral under one flag and government, but to register herself as standing for justice, law, and humanity against organized barbarity, injustice, illegality, and inhumanity, which, if victorious, would not rest until it had conquered the world. He calls the peace propaganda at this time a "vile lie of conventionality" because its success could only mean the victory of those forces which all honest nationalities and persons condemn.

As to the other serious reviews, such as the Nuova Antologia and the Rivista d'Italia, their June numbers, aside from expounding Italy's relations to Germany, have not gone beyond academic discussion of the causes of the war and the economic phases as revealed by the budgets of France, England, and Russia, and the sacrifices that Italy must endure in order to make her a worthy ally of these countries, all putting forth their greatest efforts in the battle for the world's salvation.

There are in Italy a large number of popular, well illustrated, monthly magazines, which, taking it for granted that their readers have already been thoroughly instructed as to the diplomatic phases of the war, have started a campaign of education in regard to the war itself. There are articles contrasting the armies of the days of Garibaldi and the great King Victor Emmanuel with those of the present. There are also articles, historical and descriptive, sociological and economic, on Trieste, Trent, and other cities of Unredeemed Italy, and historical monographs showing the bonds that formerly bound Italy to England and to France which have now been cemented anew, free from all Teutonic influence.