LONDON, SATURDAY, MAY 13, 1854.
Notes.
"SHAKSPEARE'S RIME WHICH HE MADE AT THE MYTRE."
In the third volume of Mr. Collier's valuable History of Dramatic Poetry (p. 275.) is the following passage, which forms part of a note:
"Mr. Thorpe, the enterprising bookseller of Bedford Street, is in possession of a MS. full of songs and poems, in the handwriting of a person of the name of Richard Jackson, all copied prior to the year 1631, and including many unpublished pieces, by a variety of celebrated poets. One of the most curious is a song in five seven-line stanzas, thus headed 'Shakspeare's rime, which he made at the Mytre in Fleete Streete.' It begins 'From the rich Lavinian shore;' and some few of the lines were published by Playford, and set as a catch."
In Mr. Thoms' Anecdotes and Traditions (published by the Camden Society) is a story of the celebrated Dr. John Wilson, to which the editor has appended an interesting note, adding:
"Wilson was the composer of a glee for three voices, published in Playford's Musical Companion, where the words are attributed to Shakspeare; and the supposition that they were really written by him having been converted into a certainty, by their appearing with Shakspeare's name to them in the MS. Collection of Poetry, copied prior to 1631 by Richard Jackson," &c.
Mr. Thoms then prints the "rime," not inappropriately calling it "A Song for Autolycus," with this remark:
"My late respected friend Mr. Douce once told me, that some musical friend at Chichester, I think the organist, possessed a copy of this song, with an additional verse."
Mr. Thoms' version of "Shakspeare's Rime" was inserted (probably by our worthy Editor himself?) in the first volume of "N. & Q." (p. 23.) with a view of obtaining the additional stanza; a desideratum which I am now enabled to supply. The following copy has two additional stanzas, and is transcribed from a MS. Collection of Songs, with the music, written in the early part of the reign of James I. The MS. was formerly in the possession of Mr. J. S. Smith, the learned editor of Musica Antiqua.