City Offices.—Can any of your correspondents recommend some book which gives a good history of the different public offices of the city of London, with their duties and qualifications, and in whom the appointments are vested?
A Citizen.
Harefinder, Meaning of.—Can any of your readers kindly give a feasible explanation of phrase harefinder, as it occurs in Much Ado about Nothing, Act i. Sc. 1.? A reference to any similar term in a contemporary would be very valuable.
B.
Saffron-bag.—Having lately read Sir E.B. Lytton's novel of The Caxtons—to which I must give a passing tribute of admiration—I have been a good deal puzzled, first, to ascertain the meaning, and, second, the origin of the saffron-bag of which he speaks so much. I have asked many persons, and have not been able to obtain a satisfactory solution of my difficulty. Should you or any of your contributors be able, I wish you would enlighten not only me but many of my equally unlearned friends.
W.C. Luard.
Bishop Berkley's successful Experiments.—I have somewhere read that Bishop Berkley succeeded in increasing the stature of an individual placed in his charge. Will any of your correspondents give me the details of such process, with their opinions as to the practicability of the scheme?
F.W.
Portrait (Unknown).—A very carefully painted portrait, on an oak panel, has been in the possession of my family for many years, and I should be much pleased if any of your correspondents could enable me to identify the personage.
The figure, which is little more than a head, is nearly the size of life, and represents an elderly man with grey hair and a long venerable beard: the dress, which is but little shown, is black. At the upper part of the panel, on the dexter side, is a shield, bearing these arms:—Argent on a fess sable between three crosses patées, Or, as many martlets of the last. Above the shield is written "In cruce glorior." I have searched in vain for those arms. On the prints published by the Society of Antiquaries, of the funeral of Abbot Islip, is one nearly similar,—the field ermine on a fess between three crosses patées, as many martlets. The colours are not shown by the engraver. A manuscript ordinary, by Glover, in my possession, contains another, which is somewhat like that on the picture, being—Argent on a fess engrailed sable, bearing three crosses patées, Gules, as many martlets on the field. This is there ascribed to "Canon George." It is very probable that the gold crosses on the white field was an error of the portrait painter.