To these succeed twelve lots of "stones not set," including a "Head of Christ," a "Gadetian Droll," the "Entry of Severus, the Emperor, into Britain," &c. Then we come to 22. "Camejus, for the most part modern;" and to 10. "Other extraordinary Rarities," including
4. "The Picture of Mathew of Leyden, King of the Anabaptists, done in miniature by Holbein.
7. A box with 8 Calcedonies set in gold, in which are engraved the Passion of our Saviour," &c.
The "antiques set in gold, being rings or seals," are thirty-seven in number; among them
"8. Ennius the poet, with this motto, Sine lucto memento, a seal.
"19. Homer deified, a seal.
"34. A double seal of Charles I., King of England, and Henrietta, daughter of Henry IV. of France, &c., with a motto of Castus Amor vinxit. Engraved by Simon Monuntum Preclarissimum."
The Drawings come last, and are divided into seven Porta Folios, containing respectively 21, 23, 30, 23, 24, 26 and 42 specimens. In the first two no names of the masters are given: in the third, they are all assigned to various artists, including Emskirk (I spell names as I find them), Paulo Veronesa, Raphael, Leonardo da Vinci, Tintorett, Giulio Romano, &c. The fourth portfolio has only one name to the 23 lots, viz. Tintorett; and Filippo Bellin is the only master named in the fifth portfolio. In the sixth, we meet with Tintorett, Perugino, Mich. Ang. Bonaroti, Annibal Caracci, Paulo Brill, and Raphael. Of the 42 drawings in Portfolio 7. all have names annexed to them, excepting eight; and here we read those of Guido Reni, Gio Bellini, Andrea Mantegna, Corregio, Andrea del Sarto, Tadeo Zuccaro, &c.
I may have gone into more detail than was necessary; but, besides the Queries I have already put, I want to know if any of these gems, cameos, antiques, or drawings are now known to be in existence; and, if possible, where they are to be found.