Their ship was seized, and they to prison sent:
To confine them a while the king's fully bent."
Here we arrive at an incident which is found in Greene, but which Shakspeare had the judgment to avoid, making the termination of his drama as wonderful for its art, as delightful for its poetry. Greene and my ballad represent the king of Bohemia falling in love with his own daughter, whom he did not recognise. She effectually resisted his entreaties, and he resolves "to hang or burn" the whole party; but the old shepherd, to save himself, reveals that she is not his daughter, and produces "the mantle of gold" in which he had found her:
"He likewise produced the mantle of gold.
The king was amazed the sight to behold;
Though long time the shepherd had used the same,
The king knew it marked with his own name."
This discovery leads directly to the unwinding of the plot: the young prince makes himself known, and his father being sent for, the lovers are
"married in triumph" in Bohemia, and the old shepherd is made "a lord of the court."
If any of your readers can inform me of another copy of the above ballad, especially unmodernised (the versification must have suffered in the frequent reprints) and in black-letter of an early date, they will do me a favour. At present I am unable to decide whether it was founded upon Greene's novel, Shakspeare's play, or upon some independent, possibly foreign, narrative. I am by no means satisfied that Greene's novel was not a translation, and we know that he was skilful in Italian, Spanish, and French.