"... the chill marble seems to sweat,
While each peculiar power foregoes his wonted seat."
L.I.M.
MINOR NOTES.
Gaudentio di Lucca.—Sir James Mackinstosh, in his Dissertation on the Progress of Ethical Philosophy, adverts to the belief that Bishop Berkeley was the author of Gaudentio di Lucca, but without adopting it.
"A romance," he says, "of which a journey to an Utopia, in the centre of Africa, forms the chief part, called The Adventures of Signor Gaudentio di Lucca, has been commonly ascribed to him; probably on no other ground than its union of pleasing invention with benevolence and elegance."—Works, vol. i. p. 132. ed. 1846.
Sir J. Mackintosh, like most other modern writers who mention the book, seems not to have been aware of the decisive denial of this report, by Bishop Berkeley's son, inserted in the third volume of Kippis's Biographia Britannica.
L.
George Wither, the Poet, a Printer (Vol. ii., p. 390.).—In addition to DR. RIMBAULT'S extract from Wither's Britain's Remembrancer, showing that he printed (or rather composed) every sheet thereof with his own hand, I find, in a note to Mr. R.A. Willmott's volume of the Lives of the English Sacred Poets, in that interesting one of George Wither, the following corroboration of this singular labour of his: the poem, independent of the address to the King and the præmonition, consisting of between nine and ten thousand lines, many of which, I doubt not, were the production of his brain while he stood at the printing-case. A MS. note of Mr. Park's, in one of the many volumes of Wither which I possess, confirms me in this opinion.