Hark, hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes:
With every thing that pretty is,
My lady sweet, arise!
Arise, arise!
William Shakespeare.

Tommy's Prayer

In a dark and dismal alley where the sunshine never came,
Dwelt a little lad named Tommy, sickly, delicate, and lame;
He had never yet been healthy, but had lain since he was born
Dragging out his weak existence well nigh hopeless and forlorn.
He was six, was little Tommy, 'twas just five years ago
Since his drunken mother dropped him, and the babe was crippled so.
He had never known the comfort of a mother's tender care,
But her cruel blows and curses made his pain still worse to bear.
There he lay within the cellar, from the morning till the night,
Starved, neglected, cursed, ill-treated, nought to make his dull life
bright;
Not a single friend to love him, not a loving thing to love—
For he knew not of a Saviour, or a heaven up above.
'Twas a quiet, summer evening, and the alley, too, was still;
Tommy's little heart was sinking, and he felt so lonely, till,
Floating up the quiet alley, wafted inwards from the street,
Came the sound of some one singing, sounding, oh! so clear and sweet.
Eagerly did Tommy listen as the singing came—
Oh! that he could see the singer! How he wished he wasn't lame.
Then he called and shouted loudly, till the singer heard the sound,
And on noting whence it issued, soon the little cripple found.
'Twas a maiden rough and rugged, hair unkempt, and naked feet,
All her garments torn and ragged, her appearance far from neat;
"So yer called me," said the maiden, "wonder wot yer wants o' me;
Most folks call me Singing Jessie; wot may your name chance to be?"
"My name's Tommy; I'm a cripple, and I want to hear you sing,
For it makes me feel so happy—sing me something, anything,"
Jessie laughed, and answered smiling, "I can't stay here very long,
But I'll sing a hymn to please you, wot I calls the 'Glory Song.'"
Then she sang to him of heaven, pearly gates, and streets of gold,
Where the happy angel children are not starved or nipped with cold;
But where happiness and gladness never can decrease or end,
And where kind and loving Jesus is their Sovereign and their Friend.
Oh! how Tommy's eyes did glisten as he drank in every word
As it fell from "Singing Jessie"—was it true, what he had heard?
And so anxiously he asked her, "Is there really such a place?"
And a tear began to trickle down his pallid little face.
"Tommy, you're a little heathen; why, it's up beyond the sky,
And if yer will love the Saviour, yer shall go there when yer die."
"Then," said Tommy, "tell me, Jessie, how can I the Saviour love,
When I'm down in this 'ere cellar, and He's up in heaven above?"
So the little ragged maiden who had heard at Sunday School
All about the way to heaven, and the Christian's golden rule,
Taught the little cripple Tommy how to love, and how to pray,
Then she sang a "Song of Jesus," kissed his cheek and went away.
Tommy lay within the cellar which had grown so dark and cold,
Thinking all about the children in the streets of shining gold;
And he heeded not the darkness of that damp and chilly room,
For the joy in Tommy's bosom could disperse the deepest gloom.
"Oh! if I could only see it," thought the cripple, as he lay,
"Jessie said that Jesus listens and I think I'll try and pray";
So he put his hands together, and he closed his little eyes,
And in accents weak, yet earnest, sent this message to the skies:—
"Gentle Jesus, please forgive me as I didn't know afore,
That yer cared for little cripples who is weak and very poor,
And I never heard of heaven till that Jessie came to-day
And told me all about it, so I wants to try and pray.
"Yer can see me, can't yer, Jesus? Jessie told me that yer could,
And I somehow must believe it, for it seems so prime and good;
And she told me if I loved you, I should see yer when I die,
In the bright and happy heaven that is up beyond the sky.
"Lord, I'm only just a cripple, and I'm no use here below,
For I heard my mother whisper, she'd be glad if I could go;
And I'm cold and hungry sometimes; and I feel so lonely, too,
Can't yer take me, gentle Jesus, up to heaven along o' you?
"Oh! I'd be so good and patient, and I'd never cry or fret,
And your kindness to me, Jesus, I would surely not forget;
I would love you all I know of, and would never make a noise—
Can't you find me just a corner, where I'll watch the other boys?
"Oh! I think yer'll do it, Jesus, something seems to tell me so,
For I feel so glad and happy, and I do so want to go,
How I long to see yer, Jesus, and the children all so bright!
Come and fetch me, won't yer, Jesus? Come and fetch me home tonight!"
Tommy ceased his supplication, he had told his soul's desire,
And he waited for the answer till his head began to tire;
Then he turned towards his corner and lay huddled in a heap,
Closed his little eyes so gently, and was quickly fast asleep.
Oh, I wish that every scoffer could have seen his little face
As he lay there in the corner, in that damp, and noisome place;
For his countenance was shining like an angel's, fair and bright,
And it seemed to fill the cellar with a holy, heavenly light.
He had only heard of Jesus from a ragged singing girl,
He might well have wondered, pondered, till his brain began to whirl;
But he took it as she told it, and believed it then and there,
Simply trusting in the Saviour, and his kind and tender care.
In the morning, when the mother came to wake her crippled boy,
She discovered that his features wore a look of sweetest joy,
And she shook him somewhat roughly, but the cripple's face was cold—
He had gone to join the children in the streets of shining gold.
Tommy's prayer had soon been answered, and the Angel Death had come
To remove him from his cellar, to his bright and heavenly home
Where sweet comfort, joy, and gladness never can decrease or end,
And where Jesus reigns eternally, his Sovereign and his Friend.
John F. Nicholls.

The Two Pictures

It was a bright and lovely summer's morn,
Fair bloomed the flowers, the birds sang softly sweet,
The air was redolent with perfumed balm,
And Nature scattered, with unsparing hand,
Her loveliest graces over hill and dale.
An artist, weary of his narrow room
Within the city's pent and heated walls,
Had wandered long amid the ripening fields,
Until, remembering his neglected themes,
He thought to turn his truant steps toward home.
These led him through a rustic, winding lane,
Lined with green hedge-rows spangled close with flowers,
And overarched by trees of noblest growth.
But when at last he reached the farther end
Of this sweet labyrinth, he there beheld
A vision of such pure, pathetic grace,
That weariness and haste were both obscured,
It was a child—a young and lovely child
With eyes of heavenly hue, bright golden hair,
And dimpled hands clasped in a morning prayer,
Kneeling beside its youthful mother's knee.
Upon that baby brow of spotless snow,
No single trace of guilt, or pain, or woe,
No line of bitter grief or dark despair,
Of envy, hatred, malice, worldly care,
Had ever yet been written. With bated breath,
And hand uplifted as in warning, swift,
The artist seized his pencil, and there traced
In soft and tender lines that image fair:
Then, when 'twas finished, wrote beneath one word,
A word of holiest import—Innocence.
Years fled and brought with them a subtle change,
Scattering Time's snow upon the artist's brow,
But leaving there the laurel wreath of fame,
While all men spake in words of praise his name;
For he had traced full many a noble work
Upon the canvas that had touched men's souls,
And drawn them from the baser things of earth,
Toward the light and purity of heaven.
One day, in tossing o'er his folio's leaves,
He chanced upon the picture of the child,
Which he had sketched that bright morn long before,
And then forgotten. Now, as he paused to gaze,
A ray of inspiration seemed to dart
Straight from those eyes to his. He took the sketch,
Placed it before his easel, and with care
That seemed but pleasure, painted a fair theme,
Touching and still re-touching each bright lineament,
Until all seemed to glow with life divine—
'Twas innocence personified. But still
The artist could not pause. He needs must have
A meet companion for his fairest theme;
And so he sought the wretched haunts of sin,
Through miry courts of misery and guilt,
Seeking a face which at the last was found.
Within a prison cell there crouched a man—
Nay, rather say a fiend—with countenance seamed
And marred by all the horrid lines of sin;
Each mark of degradation might be traced,
And every scene of horror he had known,
And every wicked deed that he had done,
Were visibly written on his lineaments;
Even the last, worst deed of all, that left him here,
A parricide within a murderer's cell.
Here then the artist found him; and with hand
Made skillful by its oft-repeated toil,
Transferred unto his canvas that vile face,
And also wrote beneath it just one word,
A word of darkest import—it was Vice.
Then with some inspiration not his own,
Thinking, perchance, to touch that guilty heart,
And wake it to repentance e'er too late,
The artist told the tale of that bright morn,
Placed the two pictured faces side by side,
And brought the wretch before them. With a shriek
That echoed through those vaulted corridors,
Like to the cries that issue from the lips
Of souls forever doomed to woe,
Prostrate upon the stony floor he fell,
And hid his face and groaned aloud in anguish.
"I was that child once—I, yes, even I—
In the gracious years forever fled,
That innocent and happy little child!
These very hands were raised to God in prayer,
That now are reddened with a mother's blood.
Great Heaven! can such things be? Almighty power,
Send forth Thy dart and strike me where I lie!"
He rose, laid hold upon the artist's arm
And grasped it with demoniac power,
The while he cried: "Go forth, I say, go forth
And tell my history to the tempted youth.
I looked upon the wine when it was red,
I heeded not my mother's piteous prayers,
I heeded not the warnings of my friends,
But tasted of the wine when it was red,
Until it left a demon in my heart
That led me onward, step by step, to this,
This horrible place from which my body goes
Unto the gallows, and my soul to hell!"
He ceased as last. The artist turned and fled;
But even as he went, unto his ears
Were borne the awful echoes of despair,
Which the lost wretch flung on the empty air,
Cursing the demon that had brought him there.

The Two Kinds of People

There are two kinds of people on earth to-day;
Just two kinds of people, no more, I say.
Not the sinner and saint, for it's well understood,
The good are half bad and the bad are half good.
Not the rich and the poor, for to rate a man's wealth,
You must first know the state of his conscience and health.
Not the humble and proud, for in life's little span,
Who puts on vain airs is not counted a man.
Not the happy and sad, for the swift flying years
Bring each man his laughter and each man his tears.
No; the two kinds of people on earth I mean,
Are the people who lift and the people who lean.
Wherever you go, you will find the earth's masses
Are always divided in just these two classes.
And, oddly enough, you will find, too, I ween,
There's only one lifter to twenty who lean.
In which class are you? Are you easing the load
Of overtaxed lifters, who toil down the road?
Or are you a leaner, who lets others share
Your portion of labor, and worry and care?
Ella Wheeler Wilcox.