| 'Twas a stylish congregation, that of Theophrastus Brown, |
| And its organ was the finest and the biggest in the town, |
| And the chorus—all the papers favorably commented on it, |
| For 'twas said each female member had a forty-dollar bonnet. |
| |
| Now in the "amen corner" of the church sat Brother Eyer, |
| Who persisted every Sabbath-day in singing with the choir; |
| He was poor but genteel-looking, and his heart as snow was white, |
| And his old face beamed with sweetness when he sang with all his might. |
| |
| His voice was cracked and broken, age had touched his vocal chords, |
| And nearly every Sunday he would mispronounce the words |
| Of the hymns, and 'twas no wonder, he was old and nearly blind, |
| And the choir rattling onward always left him far behind. |
| |
| The chorus stormed and blustered, Brother Eyer sang too slow, |
| And then he used the tunes in vogue a hundred years ago; |
| At last the storm-cloud burst, and the church was told, in fine, |
| That the brother must stop singing, or the choir would resign. |
| |
| Then the pastor called together in the vestry-room one day |
| Seven influential members who subscribe more than they pay, |
| And having asked God's guidance in a printed pray'r or two, |
| They put their heads together to determine what to do. |
| |
| They debated, thought, suggested, till at last "dear Brother York," |
| Who last winter made a million on a sudden rise in pork, |
| Rose and moved that a committee wait at once on Brother Eyer, |
| And proceed to rake him lively "for disturbin' of the choir." |
| |
| Said he: "In that 'ere organ I've invested quite a pile, |
| And we'll sell it if we cannot worship in the latest style; |
| Our Philadelphy tenor tells me 'tis the hardest thing |
| Fer to make God understand him when the brother tries to sing. |
| |
| "We've got the biggest organ, the best-dressed choir in town, |
| We pay the steepest sal'ry to our pastor, Brother Brown; |
| But if we must humor ignorance because it's blind and old— |
| If the choir's to be pestered, I will seek another fold." |
| |
| Of course the motion carried, and one day a coach and four, |
| With the latest style of driver, rattled up to Eyer's door; |
| And the sleek, well-dress'd committee, Brothers Sharkey, York and Lamb, |
| As they crossed the humble portal took good care to miss the jamb. |
| |
| They found the choir's great trouble sitting in his old arm chair, |
| And the Summer's golden sunbeams lay upon his thin white hair; |
| He was singing "Rock of Ages" in a cracked voice and low |
| But the angels understood him, 'twas all he cared to know. |
| |
| Said York: "We're here, dear brother, with the vestry's approbation |
| To discuss a little matter that affects the congregation"; |
| "And the choir, too," said Sharkey, giving Brother York a nudge, |
| "And the choir, too!" he echoed with the graveness of a judge. |
| |
| "It was the understanding when we bargained for the chorus |
| That it was to relieve us, that is, do the singing for us; |
| If we rupture the agreement, it is very plain, dear brother, |
| It will leave our congregation and be gobbled by another. |
| |
| "We don't want any singing except that what we've bought! |
| The latest tunes are all the rage; the old ones stand for naught; |
| And so we have decided—are you list'ning, Brother Eyer?— |
| That you'll have to stop your singin' for it flurrytates the choir." |
| |
| The old man slowly raised his head, a sign that he did hear, |
| And on his cheek the trio caught the glitter of a tear; |
| His feeble hands pushed back the locks white as the silky snow, |
| As he answered the committee in a voice both sweet and low: |
| |
|
| "I've sung the psalms of David nearly eighty years," said he; |
| "They've been my staff and comfort all along life's dreary way; |
| I'm sorry I disturb the choir, perhaps I'm doing wrong; |
| But when my heart is filled with praise, I can't keep back a song. |
| |
| "I wonder if beyond the tide that's breaking at my feet, |
| In the far-off heav'nly temple, where the Master I shall greet— |
| Yes, I wonder when I try to sing the songs of God up high'r, |
| If the angel band will church me for disturbing heaven's choir." |
| |
| A silence filled the little room; the old man bowed his head; |
| The carriage rattled on again, but Brother Eyer was dead! |
| Yes, dead! his hand had raised the veil the future hangs before us, |
| And the Master dear had called him to the everlasting chorus. |
| |
| The choir missed him for a while, but he was soon forgot, |
| A few church-goers watched the door; the old man entered not. |
| Far away, his voice no longer cracked, he sang his heart's desires, |
| Where there are no church committees and no fashionable choirs! |
| |
| T.C. Harbaugh. |
| I saw him once before, |
| As he passed by the door, |
| And again |
| The pavement stones resound, |
| As he totters o'er the ground |
| With his cane. |
| |
| They say that in his prime, |
| Ere the pruning-knife of Time |
| Cut him down, |
| Not a better man was found |
| By the Crier on his round |
| Through the town. |
| |
| But now he walks the streets, |
| And he looks at all he meets |
| Sad and wan, |
| And he shakes his feeble head, |
| That it seems as if he said |
| "They are gone." |
| |
| The mossy marbles rest |
| On the lips that he has prest |
| In their bloom, |
| And the names he loved to hear |
| Have been carved for many a year |
| On the tomb. |
|
| |
| My grandmamma has said,— |
| Poor old lady, she is dead |
| Long ago,— |
| That he had a Roman nose, |
| And his cheek was like a rose |
| In the snow. |
| |
| But now his nose is thin, |
| And it rests upon his chin. |
| Like a staff, |
| And a crook is in his back, |
| And a melancholy crack |
| In his laugh. |
| |
| I know it is a sin |
| For me to sit and grin |
| At him here; |
| But the old three-cornered hat, |
| And the breeches, and all that, |
| Are so queer! |
| |
| And if I should live to be |
| The last leaf upon the tree |
| In the spring, |
| Let them smile, as I do now, |
| At the old forsaken bough |
| Where I cling. |
| |
| Oliver Wendell Holmes. |