| Sleep, baby, sleep! |
| Thy father's watching the sheep, |
| Thy mother's shaking the dreamland tree, |
| And down drops a little dream for thee. |
| Sleep, baby, sleep! |
| |
| Sleep, baby, sleep! |
| The large stars are the sheep, |
| The little stars are the lambs, I guess, |
| The bright moon is the shepherdess. |
| Sleep, baby, sleep! |
| |
| Sleep, baby, sleep! |
| Thy Savior loves His sheep; |
| He is the Lamb of God on high |
| Who for our sakes came down to die. |
| Sleep, baby, sleep! |
| |
| Elizabeth Prentiss. |
| Seated one day at the organ, |
| I was weary and ill at ease, |
| And my fingers wandered idly |
| Over the noisy keys. |
| |
| I do not know what I was playing, |
| Or what I was dreaming then; |
| But I struck one chord of music, |
| Like the sound of a great Amen. |
| |
| It flooded the crimson twilight, |
| Like the close of an angel's psalm; |
| And it lay on my fevered spirit |
| With a touch of infinite calm. |
| |
| It quieted pain and sorrow, |
| Like love overcoming strife; |
| It seemed the harmonious echo |
| From our discordant life. |
| |
| It linked all perplexing meanings |
| Into one perfect peace, |
| And trembled away into silence |
| As if it were loth to cease. |
| |
| I have sought, but I seek it vainly, |
| That one lost chord divine, |
| That came from the soul of the organ, |
| And entered into mine. |
| |
| It may be that Death's bright angel |
| Will speak in that chord again; |
| It may be that only in Heaven |
| I shall hear that grand Amen. |
| |
| Adelaide A. Procter. |
| Between the dark and the daylight, |
| When the night is beginning to lower, |
| Comes a pause in the day's occupations, |
| That is known as the Children's Hour. |
| |
| I hear in the chamber above me |
| The patter of little feet, |
| The sound of a door that is opened, |
| And voices soft and sweet. |
| |
| From my study I see in the lamplight, |
| Descending the broad hall stair, |
| Grave Alice, and laughing Allegra, |
| And Edith with golden hair. |
| |
| A whisper, and then a silence: |
| Yet I know by their merry eyes |
| They are plotting and planning together |
| To take me by surprise. |
| |
| A sudden rush from the stairway, |
| A sudden raid from the hall! |
| By three doors left unguarded |
| They enter my castle wall! |
| |
| They climb up into my turret |
| O'er the arms and back of my chair; |
| If I try to escape, they surround me; |
| They seem to be everywhere. |
| |
| They almost devour me with kisses, |
| Their arms about me entwine, |
| Till I think of the Bishop of Bingen |
| In his Mouse-tower on the Rhine! |
| |
| Do you think, O blue-eyed banditti, |
| Because you have scaled the wall, |
| Such an old mustache as I am |
| Is not a match for you all! |
| |
| I have you fast in my fortress, |
| And will not let you depart, |
| But put you down into the dungeon |
| In the round-tower of my heart. |
| |
| And there will I keep you forever, |
| Yes, forever and a day, |
| Till the walls shall crumble to ruin, |
| And moulder in dust away! |
| |
| Henry W. Longfellow. |
| Woodman, spare that tree! |
| Touch not a single bough! |
| In youth it sheltered me, |
| And I'll protect it now. |
| 'T was my forefather's hand |
| That placed it near his cot; |
| There, woodman, let it stand. |
| Thy ax shall harm it not! |
| |
| That old familiar tree, |
| Whose glory and renown |
| Are spread o'er land and sea— |
| And wouldst thou hew it down? |
| Woodman, forbear thy stroke! |
| Cut not its earth-bound ties; |
| Oh, spare that aged oak, |
| Now towering to the skies! |
| |
| When but an idle boy, |
| I sought its grateful shade; |
| In all their gushing joy |
| Here, too, my sisters played. |
| My mother kissed me here; |
| My father pressed my hand— |
| Forgive this foolish tear, |
| But let that old oak stand! |
| |
| My heart-strings round thee cling, |
| Close as thy bark, old friend! |
| Here shall the wild-bird sing, |
| And still thy branches bend. |
| Old tree! the storm still brave! |
| And, woodman, leave the spot; |
| While I've a hand to save, |
| Thy ax shall harm it not! |
| |
| George Pope Morris. |