| Out where the handclasp's a little stronger, |
| Out where a smile dwells a little longer, |
| That's where the West begins. |
| Out where the sun's a little brighter, |
| Where the snow that falls is a trifle whiter, |
| Where the bonds of home are a wee bit tighter, |
| That's where the West begins. |
| |
| Out where the skies are a trifle bluer, |
| Out where friendship's a little truer, |
| That's where the West begins. |
| Out where a fresher breeze is blowing, |
| Where there is laughter in every streamlet flowing, |
| Where there's more of reaping and less of sowing, |
| That's where the West begins. |
| |
| Out where the world is in the making, |
| Where fewer hearts with despair are aching; |
| That's where the West begins. |
| Where there is more of singing and less of sighing, |
| Where there is more of giving and less of buying, |
| And a man makes friends without half trying— |
| That's where the West begins. |
| |
| Arthur Chapman. |
| Let us take to our hearts a lesson—no lesson can braver be— |
| From the ways of the tapestry weavers on the other side of the sea. |
| Above their heads the pattern hangs, they study it with care, |
| The while their fingers deftly move, their eyes are fastened there. |
| |
| They tell this curious thing, besides, of the patient, plodding weaver: |
| He works on the wrong side evermore, but works for the right side ever. |
| It is only when the weaving stops, and the web is loosed and turned, |
| That he sees his real handiwork—that his marvelous skill is learned. |
| |
| Ah, the sight of its delicate beauty, how it pays him for all his cost! |
| No rarer, daintier work than his was ever done by the frost. |
| Then the master bringeth him golden hire, and giveth him praise as well, |
| And how happy the heart of the weaver is, no tongue but his can tell. |
| |
| The years of man are the looms of God, let down from the place of the sun, |
| Wherein we are weaving ever, till the mystic web is done. |
| Weaving blindly but weaving surely each for himself his fate— |
| We may not see how the right side looks, we can only weave and wait. |
|
| But, looking above for the pattern, no weaver hath to fear; |
| Only let him look clear into heaven, the Perfect Pattern is there. |
| If he keeps the face of the Savior forever and always in sight |
| His toil shall be sweeter than honey, his weaving sure to be right. |
| |
| And when the work is ended, and the web is turned and shown, |
| He shall hear the voice of the Master, it shall say unto him, "Well done!" |
| And the white-winged Angels of Heaven, to bear him shall come down; |
| And God shall give him gold for his hire—not a coin—but a glowing crown. |
| When the teacher gets cross, and her blue eyes gets black, |
| And the pencil comes down on the desk with a whack, |
| We chillen all sit up straight in a line, |
| As if we had rulers instead of a spine, |
| And it's scary to cough, and it a'n't safe to grin, |
| When the teacher gets cross, and the dimples goes in. |
| |
| When the teacher gets cross, the tables get mixed, |
| The ones and the twos begins to play tricks. |
| The pluses and minuses is just little smears, |
| When the cry babies cry their slates full of tears, |
| And the figgers won't add,—but just act up like sin, |
| When the teacher gets cross, and the dimples goes in. |
| |
| When the teacher gets cross, the reading gets bad. |
| The lines jingle round till the' chillen is sad. |
| And Billy boy puffs and gets red in the face, |
| As if he and the lesson were running a race, |
| Until she hollers out, "Next!" as sharp as a pin, |
| When the teacher gets cross, and the dimples goes in. |
| |
| When the teacher gets good, her smile is so bright, |
| That the tables gets straight, and the reading gets right. |
| The pluses and minuses comes trooping along, |
| And the figgers add up and stop being wrong, |
| And we chillen would like, but we dassent, to shout, |
| When the teacher gets good, and the dimples comes out. |