Queries for Discussion.--Has Hovey's way of telling the story of Guenevere and Launcelot an advantage realistically over Tennyson's, but none either poetically or ethically? (See on this query, 'The Disloyal Wife in Literature: Comparative Study Programme,' Poet-lore, Vol. I., new series, pp. 265-274, Spring Number, 1897.) Does Hovey attain greatness by his liveliness and human quality joined to varied and skilful metrical effects? Is 'Taliesin' his best work, or is his best work done in his short pieces?
6. Bliss Carman.
Readings:--'Spring Song,' 'A More Ancient Mariner,' 'Envoy,' 'Beyond the Gaspereau,' 'Behind the Arras,' 'The Cruise of the Galleon,' 'A Song before Sailing,' 'The Lodger,' 'Beyond the Gamut,' 'The Ships of St. John,' 'The Marring of Malyn.' (The first, second, and third are in 'Vagabondia'; the fourth in Poet-lore, Vol. I., new series, pp. 321-329, Summer Number, 1897; the next five in 'Behind the Arras' ($1.50); the others in 'Ballads of Lost Haven' ($1.00). Boston: Small, Maynard & Co.)
Query for Discussion.--Is Carman better in his earlier descriptive lyrics, or better in his later symbolical lyrics because these being richer in interest are stronger to hold the deeper reader?
7. Hannah Parker Kimball.
Readings:--'Revelation,' 'The Smoke,' 'The Sower,' 'Consummation,' 'Glory of Earth,' 'Primitive Man,' 'Man to Nature,' 'Eavesdroppers,' 'Social Appeal,' 'The Quiet Land Within,' 'The Saving of Judas Iscariot.' (The first four of the poems named are in 'Soul and Sense,' 75 cents; the last in Poet-lore, Vol. I., new series, pp. 161-168, Spring Number, 1897; the others in 'Victory and Other Poems.' Boston: Copeland & Day, now Small, Maynard & Co.)
Queries for Discussion.--Does Miss Kimball's portraiture of Judas Iscariot reveal a capacity for dramatically creating development in character? Are her lyrics too grave, or is it their especial blend of high seriousness and intellectual insight with unforced expression which gives them unusual richness?
The Editors.