The serene world-sight of the thinker."
This vision typified the future regeneration of America and through her of the race. From the sordid reality of present conditions man must advance ever nearer to the "eternal ideal"; from mean conditions, inspired by lofty emotions and holy enthusiasms, shall come new standards of life and of art.
Mr. Guthrie's work indicates in its form some of the characteristics of the new literary art. Though his theories are undoubtedly good, the expression is as yet too crude to form much idea of its possibilities. Whatever may be the age of the author, his work indicates a certain inexperience and lacks the grasp and finish of the skilled workman. His work is too reminiscent; he has not sufficiently assimilated his sources and impressed them with his own individuality, giving them a distinctive unity of conception and expression. Though we are quite willing to accept his assurance that he "did not intend his work to resemble any known performance," we are continually reminded of passages in other writers who had inspired him. At times we are struck with admiration at his power for catching the very trick of his model.
His work is as "oddly suited" as was Portia's lover. For he suggests to us--Homer and the Greek tragedians of course in theme and expression; Milton and Dante with their lofty ideals; Piers Ploughman dreaming about his "fair field full of folk." For the conception he owes much to Shelley's 'Prometheus,' whose theme is very similar, but his methods are more modern, with verse theories of Whitman, philosophy of Browning, a Wagnerian idea of rhythm, making each rhythmical theme represent a peculiar mood or image, which is frequently very effective but sometimes forced.
Harriott S. Olive.
(Songs from the Ghetto, by Morris Rosenfeld. With Introduction, Prose Translation, and Glossary. By Leo Weiner, Instructor in the Slavic Languages at Harvard University. Boston: Small, Maynard & Co.--A Vision of New Hellas--Songs of American Destiny. William Norman Guthrie. Clarke Publishing Company. Chicago: $2.50.)
[COL. HIGGINSON'S 'CONTEMPORARIES' AND MRS. HOWE'S 'REMINISCENCES.']
Colonel Higginson might have added to his 'Contemporaries' as a sub-title: 'Our Nineteenth Century Roll of Honor,' for he makes mention, either brief or extended, in his book, of nearly all the men and women of the age who would be entitled to a place on such a roll. It gives one's patriotism a thrill, on looking down the list, to see how long and splendid a one it is, to note what fine thoughts, emotions, and achievements stand representative in the brief sketches of the period of our national existence which the author has observed and shared in. Patriotic fervor for the past, and, arguing from the past, a renewed hope in the national future, are the dominant feelings the book begets. Not that the author has emphasized the bequests of statesmen and reformers to the country, to the neglect of other influences. The volume contains nineteen sketches; and the poet, the philosopher, the scientist, the man of private though beneficent life, have all places therein; yet all is woven into a whole with one aspect, the national one.
All of the sketches are, as the preface states, reprinted pieces first published in different periodicals any time during the past fifty years. Since from this point of view the volume can have little or no consecutiveness, it is noteworthy that a picture of the times is nevertheless obtained unbroken in its continuity. Every sketch, however fragmentary a part of the life of its subject, has the vigor of its surroundings; and the papers upon the men and women of the Abolitionist period and the Civil War, though most of them have been somewhat revised for their present publication, have the heart-beats of the "times that tried men's souls" throbbing in them true and loud.