Mr. Maurice Browne, director of the Chicago Little Theatre, offers to produce, during the season of 1913-14, the best play in verse published in, or submitted to, Poetry during its first year; provided that it may be adequately presented under the requirements and limitations of his stage.
We are fortunate in being able, through the courtesy of the Houghton-Mifflin Co., to offer our readers a poem, hitherto unprinted, from advance sheets of the complete works of the late William Vaughan Moody, which will be published in November. The lamentable death of this poet two years ago in the early prime of his great powers was a calamity to literature. It is fitting that the first number of a magazine published in the city where for years he wrote and taught, should contain an important poem from his hand.
Mr. Ezra Pound, the young Philadelphia poet whose recent distinguished success in London led to wide recognition in his own country, authorizes the statement that at present such of his poetic work as receives magazine publication in America will appear exclusively in Poetry. That discriminating London publisher, Mr. Elkin Mathews, "discovered" this young poet from over seas, and published "Personae," "Exultations" and "Canzoniere," three small volumes of verse from which a selection has been reprinted by the Houghton-Mifflin Co. under the title "Provença." Mr. Pound's latest work is a translation from the Italian of "Sonnets and Ballate," by Guido Cavalcanti.
Mr. Arthur Davison Ficke, another contributor, is a graduate of Harvard, who studied law and entered his father's office in Davenport, Iowa. He is the author of "The Happy Princess" and "The Breaking of Bonds," and a contributor to leading magazines. An early number of Poetry will be devoted exclusively to Mr. Ficke's work.
Mrs. Roscoe P. Conkling is a resident of the state of New York; a young poet who has contributed to various magazines.
Miss Lorimer is a young English poet resident in Oxford, who will publish her first volume this autumn. The London Poetry Review, in its August number, introduced her with a group of lyrics which were criticized with some asperity in the New Age and praised with equal warmth in other periodicals.