Are you coming for one turn, my dear, before this dance is over?
And she smiles—and I'm her partner—and hope soon to be her lover!
"VARIETY! VA-RI-E-TY!"
"The Kilanyi Troupe" at the Palace Theatre of Varieties, with their strikingly realistic Tableaux Vivants, might well change their name pro tem. to "The Kill-any-other Troupe" that might be venturing in the same line. Of course, they are a great attraction, and would be still greater, were the Show varied from night to night, altogether omitting No. 6 in the present programme, and, in view of the popularity of "A tale of the tide," the humour of which is perceptible to everyone on account of the waggery in the tail, by substituting two or three comic for the simply classic poses. Mr. Charles Morton, trading on his acquired store of operatic knowledge, might give us a statuette of Les Deux Gendarmes, who could just vary their attitudes according to the movement of Offenbach's celebrated duett. After a short interval of patriotic song about Nelson and "doing duty" there is a capital French clown, or clown of some nationality, whose fun is genuine, and whose imitations, animal and orchestral, are excellent and really amusing. This is a case in which, if a real bassoon or a real hen intruded itself, either would be hissed, and the false honestly preferred to the real. Altogether, except that the ballet which plays the people out, and does play them out effectually, is old-fashioned, it is an excellent evening's entertainment. The County Council ought to come in their thousands, and, like the little dog who was so pleased to see the cow jumping over the moon, they would "laugh to see such sport."
UNDER THE ROSE.
(A Story in Scenes.)
Scene XIX.—The Drawing-room. Mrs. Toovey is still regarding Mr. Jannaway, after the manner of an elderly bird in the presence of a young and somewhat inexperienced serpent.