SUN AND SONG.
Saturday.—Have just been reading in Temple Bar an article on the influence of sunshine on Shelley, Byron, Keats, Moore, Southey, and other poets. Never thought of that before. There is so little sunshine in London, and when there is one never sits out in it. That is why all the magazines reject my sonnets, and why no one will publish my tragedy in blank verse. Sunshine! Right on the top of one's bare head. That is the cure. The reason is obvious—Phœbus Apollo, the Divine Afflatus, and all that sort of thing. Must go somewhere into the sunshine at once. Brighton is near, Brighton is shadeless, Brighton under the June sunshine is hot. The very place. Shall now at last electrify the world. Go down by an evening train. Somewhat crowded. Whitsuntide, of course.
Sunday.—Glorious morning. Blaze of sunshine. Brighton is not an inspiring place for a poet. Walk along asphalted parade. Extremely hot. But that is just what I want. Still Shelley and the others did not advocate softened asphalte, to which one's boots almost stick. The beach is the right place. Lie down on the dusty shingle above high water mark, take off my hat, and abandon myself to the Divine Afflatus. Wait patiently for inspiration. Can only think how hot it is. Wonder if the Divine Afflatus could get through my hat. Put on my hat. Still no inspiration. Take my hat off again. Begin to become insensible in the warmth. Suddenly feel on the back of my head a sensation as of something striking me. Can it be the inspiration? No, it was a pebble. Jump up. Boys behind, aimlessly throwing stones, have hit me. Sudden inspiration to rush after them with uplifted stick. Sudden flight of boys. Pursue them over uneven shingle. Wonder if Shelley and the others ever did that. At last stop, breathless, hotter than ever. Find, with difficulty, another unoccupied space on beach, and lie down again. Become quite drowsy. Suddenly wake up. Must have been asleep for a long time. Sun going down. No inspiration yet, and no chance of Divine Afflatus to-day. Must wait till to-morrow. Head aching very much. Wonder if Shelley and the others had headaches when the D. A. was coming on. Consult Temple Bar. Apparently not. Very strange.
Monday.—Again blazing sunshine. Hotter than ever. This must bring on the D. A. if anything would. Again lie on beach. More crowded than yesterday. Some of the people seem friendly, and to be interested in my experiment, for they address me and advise me to get my hair cut. Could this possibly be advantageous to admit the D. A.? No. Shelley and the others wore their hair like mine, not cropped like a convict's. Tell this to my new friends. They laugh. I become angry. Then they tell me to keep my hair on. Curious instance of the vacillation of popular opinion. They go away singing. Pain in my head and sleepiness still worse. Can no longer keep awake. Abandon myself to D. A. Am suddenly aroused by someone shaking my arm. Open my eyes. Can hardly see anything. Awful pain in head. Shut my eyes again. My arm again shaken roughly. A voice says, "Now then, get up." Endeavour to lift my head but cannot. Never felt so ill before. Murmur feebly, "I can't. It's the D. A. coming on." Voice answers, "D. T. yer mean. None o' your gammon. You come along o' me." Begin now to understand that it is not Phœbus Apollo who is standing by me in a vision. It is not even a beautiful woman, as in Shelley's Alastor. It is a policeman. Must find precedent for this. Somehow my voice seems changed and uncertain, but I manage to murmur, "Temple Bar." "Oh yes," says the policeman, "you've been enough in the bar. Now yer can try the dock. Come along." He endeavours to raise me, but I again fall insensible.
Wednesday.—Remember dimly the horrible events of the last thirty-six hours. I was taken to the police-station, and brought before the magistrate. He would not even look at Temple Bar, and fined me for being drunk and incapable. I drunk and incapable! Oh heavens! To-day I am back in London. The sky is cloudy. No chance of the D. A. now. Shall give up poetry for ever, and for the future write words for songs.
AT A YEOMANRY REVIEW.
Scene—An open space near Baymouth, the watering-place at which the County Yeomanry have been going through their annual training. Along one side of the ground is a row of drags and other carriages, occupied by the local magnates; along another, the less distinguished spectators stand in a thin line or occasional groups, waiting for the review to begin. In the centre, the inspecting officer is judging the best turned-out troop, while the remainder of the regiment are doing nothing in particular.