POPULAR MISCONCEPTIONS.

["Lord Northcliffe rarely sees and never reads a letter, being mainly nowadays engaged in golf and travel."—Daily Mail.]

Nothing is more curious in the journalistic world than the widespread illusion which prevails as to the nature of Mr. Larvin's editorial activities. The common view is that he writes nineteen columns in every issue of the Sunday Swerver, besides contributing a leading article, seven leaderettes, three reviews and a "special" political manifesto to each number of the Pale Mail Gazette. As a matter of fact nothing could be wider of the mark. Mr. Larvin for many years has taken a detached and dispassionate view of politics, devoting the greater part of his time to collecting Egyptian papyri, and playing squash racquets, at which he is remarkably proficient. Although he occasionally inspires a paragraph in one or other of the papers mentioned, he hardly ever comes to either office, and is not even known by sight to the office boys.

Another instance of the wide discrepancy between fact and popular belief is furnished by the case of Mr. Murbidge, the manager of Garrod's Stores. Mr. Murbidge is commonly supposed to be an omniscient and ubiquitous administrator, who holds all the strings of Garrod's in his hands, and to whom all questions are referred for immediate decision. No one is more amused at this extraordinary hallucination than Mr. Murbidge himself. Nowadays he is almost entirely occupied in tarpon fishing, running a plovers' egg farm on Romney Marsh, and playing the pianola.

Sir James Lignum's appearances at Queen's Hall have led to a host of misconceptions as to his real interests and accomplishments. It is true that he wields the bâton on those occasions, but he never sees the orchestra at any other time or hears a note of music, being entirely occupied with philately and teaching a boys' club boxing in the East-end. The band are absolutely independent of his control, while acquiescing in his presence as a valuable spectacular asset, owing to the extreme whiteness of his hands, the exquisite cut of his frock-coat, and the capillary attraction exerted on the audience by his glossy and luxuriant chevelure.

We understand that Mr. Larry Cawdor is deeply incensed by the widespread prevalence of the erroneous impression that he still appears in the music-halls. For many years he has been replaced by an imitator who bears the same name and has modelled himself, both vocally and histrionically, on his illustrious namesake. But the real Larry Cawdor never sets foot inside a music-hall nowadays, being mainly engaged on an exhaustive commentary on the Talmud and devoting his scanty leisure to the collection of entomological specimens for his private museum.