MAIS LA SÉANCE N'EST PAS ENCORE TERMINÉE.


Newly-crowned Cotton King (with the plovers' eggs). "'Ere, my lad, take these darn things away. They're 'ard-boiled and absolutely stone-cold."


THE MOO-COW.

I was getting so tired of the syncopated life of town (and it didn't fit in with my present literary work) that I bribed my old pal Hobson to exchange residences with me for six months, with option; so now he has my flat in town, complete with Underground Railway and street noises (to say nothing of jazz music wherever he goes), and I have his country cottage, old-fashioned and clean, and a perfectly heavenly silence to listen to. Still, there are noises, and their comparative infrequency makes them the more noticeable. There is, for instance, a cow that bothers me more than a little. It has chosen, or there has been chosen, for its day nursery a field adjoining my (really Hobson's) garden. It has selected a spot by the hedge, almost under the study window, as a fit and proper place for its daily round of mooing.

Possibly this was at Hobson's request. Perhaps he likes the sound of mooing, or, conceivably, the cow doesn't like Hobson, and moos to annoy him. But surely it cannot mistake me for him. We are not at all alike. He is short and dark; I am tall and fair. This has given rise to a question in my mind: Can cows distinguish between human beings?

Anyway the cow worries me with its continual fog-horn, and I thought I would write to the owner (a small local dairy-farmer) to see if he could manage to find another field in which to batten this cow, where it could moo till it broke its silly tonsils for all I should care; so I indited this to him:—