The J. of H. No, they insist on every horse taking the pledge before they'll enter him.
The Descriptive Man. Each of 'em's had a turn at the in-and-out jump now. What's coming next? Oh, the five-barred gate—they're going over that now, and the stone wall—see them putting the bricks on top? That's to raise it.
The Morbid Man. None of 'em been off yet; but (hopefully) there'll be a nasty fall or two over this business—there's been many a neck broke over a lower gate than that.
A Competitor clears the gate easily, holding the reins casually in his right hand.
The J. of H. That man can ride.
The Severe Critic. Pretty well—not what I call business, though—going over a gate with one hand, like that.
The J. of H. Didn't know you were such an authority.
The S. C. (modestly). Oh, I can tell when a fellow has a good seat. I used to ride a good deal at one time. Don't get the chance much now—worse luck!
The J. of H. Well, I can give you a chance, as it happens. (Severe Critic accepts with enthusiasm, and the inward reflection that the chance is much less likely to come off than he is himself.) You wait till the show is over, and they let the horses in for exercise. I know a man who's got a cob here—regular little devil to go—bucks a bit at times—but you won't mind that. I'll take you round to the stall, and get my friend to let you try him on the tan. How will that do you, eh?
The Severe Critic (almost speechless with gratitude). Oh—er—it would do me right enough—capital! That is—it would, if I hadn't an appointment, and had my riding things on, and wasn't feeling rather out of sorts, and hadn't promised to go home and take my wife in the Park, and it's her birthday, too, and, then, I've long made it a rule never to mount a strange horse, and—er—so you understand how it is, don't you?