On what storey does the action of Act IV. take place, and what is the height from the ground that Raoul has to leap when he jumps out of the window?
There used to be a Fifth Act, with a grand trio and chorale, what has become of it? If played, does anyone stop to hear it? If not played, can audience sue the management, or demand their money back?
Unexpected effect. Sudden appearance of representative of Katti Lanner.
Thursday.—Memorable for two rentrées and one first appearance. Rentrée of Madame Etelka Gerster, rentrée of Ravelli, and first appearance, on stage, this season, of Covent Garden Cat. Trying position for the sleep-walking heroine in bed-room scene, when the Covent Garden Cat (who was in front last Tuesday night, when she ran round the ledge of the pit tier in humble imitation of little Laurie at Pantomime time) suddenly rushes from under the bed, and after nearly frightening into fits naughty little Lisa Bauermeister, who happens to be hiding there, walks with tail erect quietly across the stage, and makes a good exit R. 2. E. Count Edouard, in commencement-of-nineteenth-century hat and coat, finished off with trousers and patent-leather boots of date A.D. 1890, much amused. Amina supposed to be walking in her sleep, can't possibly take notice of animal, but House in chuckles, as an audience always is, whenever the harmless and quite unnecessary cat appears upon the stage. Rentrée of Ravelli, in first-rate voice. Everyone charmed with him, and with Ned de Reszké. Signor Rinaldino an amusing Alessio, and Madame Sinico tunefully affectionate as the devoted and sympathetic Mamma of the Aminable heroine. Melodies of our childhood, delightful to hear them again; and the good old-fashioned Italian Opera terminations to the choruses admirably rendered.
Friday.—"Dr. Faust, I presume?" I wasn't there. Opera went on, I believe, in my absence.
Saturday.—La Traviata. Ella Russell at her best. Tenor Montariol not quite at his best as that despicable character Alfredo. M. Palermini (why not "Old Pal"?) very good as Giorgio Germont. The magnificently-attired chorus enjoy themselves amazingly at supper in Act I., for Violetta, when she does do the thing, does it well, and there are certainly not less than four bottles of champagne among a hundred guests.
Questions for Examination Paper.—At whose house does this supper-party take place? Why do all the guests leave at once? Why is everyone in a Charles the Second costume except Violetta, who is in fashionable evening dress of 1890? Who is the young lady whom Violetta so affectionately kisses? and what, if anything, has she to do with the plot?
In Act III.—Is it a bal masqué? If not, what is it, and where? What is the simple game of cards which Alfredo plays with such enthusiasm? Who wins? and how much?