Three, P.M.—Has sallied out into the fair, still much excited, calling every female he meets “Susan,” and pronouncing the s’s with a whistling accent. Expresses a desire to ride in the ships that go round and round.
Half-past 3.—The motion of the ships has tended considerably to relieve his stomach. Pulse slow and countenance pale, with a desire for a glass of ale. Has entered a peepshow, and is now arguing with the exhibitor upon the correctness of his view of the siege of “St. Jane Daker!” which he maintains was a sea-port, and not a field with a burning windmill, as represented in the view.
Eight, P.M.—After rambling vaguely about the fair all the afternoon, he has decided upon taking a hot-air bath in Algar’s Crown and Anchor booth. Evidently delirious. Has put on a false nose, and purchased a tear-coat rattle. Appears labouring under violent spasmodic action of the muscles of his legs, as he dances “Jim along Josey,” when he sets to his partner in a country dance of eighty couple.
Half-past 10, P.M.—Has just intimated that he does not see the use of going home, as you can always go there when you can go nowhere else. Is seated straddling across one of the tables, on which he is beating time to the band with a hooky stick. Will not allow the state of his pulse to be ascertained, but says we may feel his fist if we like.
Eleven.—Considerable difficulty experienced in getting the patient to the railroad, but we at last succeeded. After telling every one in the carriage “that he wasn’t afraid of any of them,” he fell into a deep stertorous sleep. On arriving at home, he got into bed with his boots on, and passed a restless night, turning out twice to drink water between one and four.
JUNE.—10, A.M.—Has just returned from his office, his employer thinking him very unfit for work, and desiring him to lay up for a day or two. Complains of being “jolly seedy,” and thinks he shall go to Greenwich again to get all right.
A thrilling paper upon the “Philosophy of death,” was then read by Professor Wynne Slow. After tracing the origin of that fatal attack, which it appears the earliest nations were subject to, the learned author showed profound research in bringing forward the various terms applied to the act of dying by popular authors. [pg 95]Amongst the principal, he enumerated “turning your toes up,” “kicking the bucket,” “putting up your spoon,” “slipping your wind,” “booking your place,” “breaking your bellows,” “shutting up your shop,” and other phrases full of expression.
The last moments of remarkable characters were especially dwelt upon, in connexion, more especially, with the drama, which gives us the best examples, from its holding a mirror up to nature. It appeared that at Astley’s late amphitheatre, the dying men generally shuffled about a great deal in the sawdust, fighting on their knees, and showing great determination to the last, until life gave way; that at the Adelphi the expiring character more frequently saw imaginary demons waiting for him, and fell down, uttering “Off, fiends! I come to join you in your world of flames!” and that clowns and pantaloons always gave up the ghost with heart-rending screams and contortions of visage, as their deaths were generally violent, from being sawn in half, having holes drilled in them with enormous gimlets, or being shot out of cannon; but that, at the same time, these deaths were not permanent.