“May I be married, ma?” said a lovely girl of fifteen to her mother the other morning. “Married!” exclaimed the astonished matron; “what put such an idea into your head?” “Little Emily, here, has never seen a wedding; and I’d like to amuse the child,” replied the obliging sister, with fascinating naïveté.
THE HEIR OF APPLEBITE.
CHAPTER VIII.
A serious accident to the double-bass was the extraordinary occurrence alluded to in our last chapter. It appeared that, contrary to the usual custom of the class of musicians that attend evening parties, the operator upon the double-bass had early in the evening shown slight symptoms of inebriety, which were alarmingly increased during supper-time by a liberal consumption of wine, ale, gin, and other compounds. The harp, flageolet, and first violin, had prudently abstained from drinking—at their own expense, and had reserved their thirstiness for the benefit of the bibicals of the “founder of the feast,” and, consequently, had only attained that peculiar state of sapient freshness which invariably characterises quadrille bands after supper, and had, therefore, overlooked the rapid obfuscation of their more imprudent companion in their earnest consideration of themselves.
Bacchus has long been acknowledged to be the cicerone of Cupid; and accordingly the God of Wine introduced the God of Love into the bosom of the double-bass, who, with a commendable feeling of sociality, instantly invited the cook to join the party. Now Susan, though a staid woman, and weighing, moreover, sixteen stone, was fond of a “hinnocent bit of nonsense,” kindly consented to take just a “sip of red port wine” with the performer upon catgut cables; and everything was progressing allegro, when Cupid wickedly stimulated the double-bass to chuck Susan’s double chin, and then, with the frenzy of a Bacchanal, to attempt the impossibility of encircling the ample waist of his Dulcinea. This was carrying the joke a leetle too far, and Susan, equally alarmed for her reputation and her habit-shirt, struggled to free herself from the embrace of the votary of Apollo; but the fiddler was not to be so easily disposed of, and he clung to the object of his admiration with such pertinacity that Susan was compelled to redouble her exertions, which were ultimately successful in embedding the double-bass in the body of his instrument. The crash was frightful, and Susan, having vainly endeavoured to free herself from the incubus which had fastened upon her, proceeded to scream most lustily as an overture to a faint. These sounds reached the supper-room, and occasioned the diversion in John’s favour; a simultaneous rush was instantly made to the quarter from whence they proceeded, as the whole range of accidents and offences flashed across the imaginations of the affrighted revellers.
Mrs. Waddledot decided that the china tea-service was no more. Mrs. Applebite felt certain that “the heir” had tumbled into the tea-urn, or had cut another tooth very suddenly. The gentlemen were assured that a foray had taken place upon the hats and cloaks below, and that cabs would be at a premium and colds at a discount. The ladies made various applications of the rest of the catalogue; whilst old John wound up the matter by the consolatory announcement that he “know’d the fire hadn’t been put out by the ingines in the morning.”
The general alarm was, however, converted into general laughter when the real state of affairs was ascertained; and Susan having been recovered by burning feathers under her nose, and pouring brandy down her throat, preparations were made for the disinterment of the double-bass. To all attempts to effect such a laudable purpose, the said double-bass offered the most violent opposition, declaring he should never be so happy again, and earnestly entreated Susan to share his heart and temporary residence.