"MY PRETTY JANUS, OH NEVER LOOK SO SHY!"

AUGUSTUS DRURIOLANUS is greater than ever. It is the penitential season of Lent; some excellent persons renounce all worldly amusements; others, not quite so excellent, and both lots thinking, it may be, no small beer of themselves, we may term the first lot Treble Excellent and the second Double Excellent—the latter division think that concerts possibly, sacred concerts certainly, and certain other forms of mild and non-theatrical entertainments, are of a sufficiently severe character to constitute, as it were, a form of discipline. Then there are the larger proportion of those "who," as Mrs. Malaprop would say, "'care for none of these things,' like GALILEO, my dear," and who inquire. "What is the state of the odds as long as we think we're happy?" and who would indulge in balls and theatres, and in every other form of amusement, while such pursuits afforded them, or seemed, to afford them, any pleasure. To the first section, i.e., the "unco guid," DRURIOLANUS has nothing to offer, not even a course of sermons by popular preachers; but to the two others he has much to say. For these, last Saturday, he commenced the first of his series of Lenten Oratorios at Covent Garden—it was the 14th of February, and this was his Valentine—and on the 17th, i.e., the Tuesday afterwards, having made, so to speak, a clean sweep of everything serious, out he comes with his Fancy Dress and Masked Ball. Elijah the Prophet, on Saturday, in the Covent Garden Calendar, must be reckoned among the "minor profits," seeing that the biggest profit would be found in the Bal Masqué on Tuesday. Over the doors should be the motto, "Festina Lente," whereof the Druriolanian translation must be, "Keep it up in Lent." Ave Janus Druriolanus!


OLD TIMES REVIVED.

What! when London Assurance is going off so well every night, isn't it a pity that it should go off altogether? CHARLES WYNDHAM as Dazzle is delightfully flashy, and FARREN as the old beau, Sir Harcourt, admirable. Miss MOORE charming, Mrs. BEERE bright and sparkling; BOURCHIER quite up to "the Oxonian" mark of Tom and Jerry; BLAKELEY delicious, and GIDDENS as good a Dolly Spanker as you'd wish to see. It's too good to be "taken off." Not that the piece itself is a perfect gem, but the acting! Tout est là. Oddsfish, your Majesty, CHARLES REX, Merry Monarch of the Cri, don't remove it altogether, but let us have it just once or twice a week during the season. CHARLES, "our friend," do! It's worth while, if but to see you sitting carelessly at the end of the piece in that chair, R.H., as if you didn't care for anything or anybody. Only—cut the tag and come to the Curtain.


THE ETHICS OF MATCH-BOXES.