Much as I have enjoyed some previous work by Baroness VON HUTTEN I am glad to say that I consider Magpie (HUTCHINSON) her best yet. It is indeed a long time since I read a happier or more holding story. The title is a punning one, as the heroine's name is really Margaret Pye, but I am more than willing to overlook this for the sake of the pleasantly-drawn young woman to whom it refers and the general interest of the tale. Briefly, this has two movements, one forward, which deals with the evolution of Mag from a fat, rather down-at-heel little carrier of washing into the charming young lady of the cover; the other retrospective, and concerned with the mystery of a wonderful artist who has disappeared before the story opens. I have no idea of clearing up, or even further indicating, this problem to you. But I will say that the secret is so adroitly kept that the perfect orgy of elucidation in the final chapter left me a little breathless. Of course the whole thing is a fairy tale, with a baker's dozen of glaring improbabilities; but I am much mistaken if you will enjoy it the less for that. A quaint personal touch, which (to anyone who does not recall the cast of Pinkie and the Fairies on its revival) might well seem an impertinence, produced in me the comfortable glow of superiority that rewards the well-informed. But I can assure Baroness VON HUTTEN that she is all wrong about the acting of that particular part.
As it is not Mr. Punch's habit to admit reviews of periodical publications, I ought to say that the case of The New Europe (CONSTABLE), whose first completed volume lies before me, is exceptional. In thirty years' experience of journalism I never remember a paper containing so much "meat"—some of it pretty strong meat, too—in proportion to its size. In hardly a single week since its first issue in October last have I failed to find between its tangerine-coloured covers some article giving me information that I did not know before, or furnishing a fresh view of something with which I thought myself familiar. And I take it there are many other writers—and even, perhaps, some statesmen—who have enjoyed the same experience. Dr. SETON-WATSON and the accomplished collaborators who march under his orange oriflamme may not always convince us (I am not sure, for example, that Austria est delenda may prove the only or the best prescription for bringing freedom to the Jugo-Slavs of South-Eastern Europe), but they always furnish the reader with the facts enabling him to test their conclusions; and that in these times is a great merit. My own feeling is that if they had begun their concerted labours a few years earlier the War might never have happened; or at least we should have gone into it with a much more accurate notion of the real aims of the Central Powers, and a much better chance of quickly defeating them. The tragedies of Serbia and Roumania would almost certainly have been averted.
I am unable to hold out much prospect that you will find Frailty (CASSELL) a specially enlivening book. The scope of Miss OLIVE WADSLEY'S story, sufficiently indicated by its title, does not admit of humorous relief. But it is both vigorous and vital. Certainly it seemed hard luck on Charles Ley that, after heroically curing himself of the drug habit, he should marry the girl of his choice only to find her a victim to strong drink. But of course, had this not happened, the "punch" of Miss WADSLEY'S tale would have been weakened by half. Do not, however, be alarmed; the author knows when to stop, and confines her awful examples to these two, thereby avoiding the error of Mrs. HENRY WOOD, who (you may recall) plunged the entire cast of Danesbury House into a flood of alcohol. Not that Miss WADSLEY herself lacks for courage; she can rise unusually to the demands of a situation, and I have seldom read chapters more moving of their kind than those that depict the gradual conquest of Charles by the cocaine fiend, and his subsequent struggle back to freedom. Here the "strong" writing seemed to me both natural and in place; ever so much more convincing therefore than when employed upon the love scenes. I have my doubts whether, even in this age of what I might call the trampling suitor, anyone was over quite so heavy-booted over the affair as was Charles when he carried off his chosen mate from a small-and-early in Grosvenor Square. Fortunately the other parts of the story are less melodramatic, and make it emphatically a book not to be missed.
Happy is the reviewer with a book which gives him so much delightful information that he tries to ration himself to so many pages per day. This is what I resolved to do with In the Northern Mists (HODDER AND STOUGHTON); but I could not keep to my resolution, so attractive was the fare. These sketches are the work of a Grand Fleet Chaplain, and are packed with wisdom from all the ages. If you haven't the luck to be a sailor you will learn a lot from this admirable theologian about the men and methods and the spirit of the Grand Fleet. His book fills me with pride; yet I dare not express it for fear of offending the notorious modesty of the senior service. So shy indeed is our Fleet of praise that I feel my apologies are due to their Chaplain for my perfectly honest commendation of his book. But he seems human enough to pardon the more venial sins.
