In the Grand Circle.
A Young Gentleman (who has set himself to form his fiancée's mind, but finds it necessary to proceed very gradually). Now, Caroline, tell me—isn't this better than if we had gone to the Circus?
Caroline (from the provinces; unmusical; simple in her tastes). Yes, Joseph, only—(timidly)—there's more of what I call variety in a Circus—more going on, I mean.
The Y. G. (with a sense of discouragement). I quite see your meaning, dear, and it's an entirely true observation; still, you do appreciate this magnificent orchestra, don't you now?
Caroline. I should have liked it better with different coloured curtains—maize is so trying.
The Y. G. (mentally). I won't write home to them about it just yet.
Orchestra begins a "Musical Medley" with Overture to "Tannhäuser."
The Y. G. (who has lost his programme). Now, Caroline—this is Wagner—you'll like Wagner, darling, I'm sure.
Caroline (startled). Shall I? Where is he? Will he come in here? Must I speak to him?
The Y. G. No, no—he's dead—I mean, this is from his Opera—you must listen to this.