As clean as a palace, not black as a pall.
Electrical traction with sheer stupefaction
Strikes Steam, the old buffer, and spoils his small game.
You're off with the old Love, so try the new bold Love,
And let the Young Spark supersede the Old Flame.
[Carries her off in triumph.
PARS ABOUT PICTURES.
Close upon a hundred years ago, when GEORGE THE THIRD was King, MENDOZA opened a saloon in the Strand, whereat various studies in Black and Blue might be enjoyed. To-day MENDOZA has a gallery in King Street, which is devoted to studies in Black and White. You may say, history repeats itself. Nothing of the kind. The gentleman of GEORGE THE THIRD'S time devoted himself to the pugilistic art; the gentleman of the time of VICTORIA gives his attention to graphic art. The one was the patron of fists, the other of fingers—that makes all the difference. MENDOZA the Past, closed eyes—MENDOZA the Present opens them, and, if you go to the St. James's Gallery, you will find a pleasant collection of Eye Art—open to all peepers. It is true it may not be High Art, but you will find it, like Epps's Cocoa, "grateful and comforting."
Mr. MCLEAN, who has had an Art-show in the Haymarket since the days of GEORGE THE THIRD, or rather his ancestor had, is "quite up to time, and smiling," with his present collection (your Old PAR can't help using the argot of the P.R., and brings COLE, not to Newcastle, but to the Haymarket, in "A Bend in the River, near Maple Durham." He shows us the views of BURTON BARBER on "Compulsory Education," also a wondrous picture of the "Gate of the Great Mosque of Damascus," by BAUERNFEIND, "A Venetian Brunette," by FILDES, and many other works that will well repay inspection, but of which there is no space for anything more to be said by yours par-enthetically,