LATER TELEGRAM.

Wednesday Morning.—LARRIKIN continues wonderfully calm. He is writing his Memoirs, which he has already disposed of to a Newspaper Syndicate for a handsome consideration. Those who have been privileged to see the manuscript report that it reveals traces of unsuspected literary talent, and is marked in places by a genial and genuine humour. LARRIKIN's great regret is that he will be unable to have an opportunity of perusing the press-notices and reviews of this his first essay in authorship, for which he expects a wide popularity.

FROM A SPECIAL CORRESPONDENT.

Thursday.—To-day LARRIKIN received a visit from an old friend, who was visibly moved during the interview, in spite of the prisoner's efforts to console him. "There's nothing to snivel about, old man," he said repeatedly, with a tranquil smile. He then inquired if it was true that there were portraits of him in several of the papers, and was anxious to know if they were like him. He has executed his will, leaving the copyright of his manuscript, his sole assets, to his father, who has been in a comparatively humble position of life, but who will now be raised to a condition of affluence. The father has been interviewed, and stated to a reporter that he has been much gratified by the expressions of sympathy which have been showered upon his son from all sides. This morning a local florist sent LARRIKIN a beautiful wreath, in which the prisoner's initials and those of his victims were tastefully intertwined in violets. LARRIKIN was much touched, and his eyes filled with tears, which, however, he succeeded in repressing by a strong effort. His self-control and courage are the admiration of the officials, by whom he will be greatly missed. All day he has been busy packing up the furniture with which, by special permission, his little cell has been provided by his many admirers, and the interior has already lost much of its late dainty and cosy appearance. LARRIKIN has been whistling a good deal,—though, as the day wore on, the tunes he executed became of a less lively character. Towards evening, however, he recovered his ordinary high spirits, and even danced a "cellar-flap" for the entertainment of his Warders. A telegram has just been handed to him from an anonymous sender, who is understood to be a person of some eminence in bird-stuffing circles, which contained these words—"You are to be hung on my Aunt's silver-wedding day. Keep your pecker up." On reading this message. LARRIKIN came more near to breaking down than he has done hitherto. He has selected the clothes he is to wear on his last semi-public appearance; they consist of a plain black Angora three-button lounge coat, a purple velvet waistcoat, soft doeskin trousers, a lay-down striped collar and dickey, and a light-blue necktie with a glass pin. He has presented his only other jewellery—an oroide ring, set with Bristol diamonds—to the Warder who has been most attentive and devoted to him during his stay in gaol. He is said to have stated that he freely forgave the infant whose insulting conduct provoked his outburst, as he did the nursemaid for not restraining her charge's vivacity. This intimation, at his express desire, will be conveyed to the parents of the deceased, and will doubtless afford them the highest consolation.

Thursday Night, Later.—LARRIKIN is sleeping peacefully. His features—refined by the mental anxiety, and the almost monastic seclusion to which he has been lately subjected—are extremely pleasing, and even handsome, set-off as they are by the clean collar which he has put on in anticipation of his approaching doom. Before sinking into childlike slumber, he listened with evident pleasure to a banjo which was being played outside a public-house in the vicinity of the gaol. The banjoist is now being interviewed, and believes that the air he must have been performing at the time was "The Lost Chord." The scaffold on which the unfortunate LARRIKIN is to expiate his imprudent act is now being erected, but the workmen's hammers have been considerately covered with felt to avoid disturbing the slumberer.

Friday Morning, 9 A.M.—All is now over. The prisoner rose early and made a hearty breakfast, and plainly enjoyed the cigar which he smoked afterwards with his friend the Governor, who seemed to regard the entrance of the executioner as an untimely interruption to the conversation. "You'll have to wait a bit for the rest of that story, Governor," was LARRIKIN's light-hearted comment. The unhappy man then—(Details follow which we prefer to leave to the reader's imagination—he will find them all in the very next special description of such a scene). LARRIKIN was most anxious that it should be widely known that, in his own words, "he was true to himself and the public, and game to the last."

Several reporters were present in the prison-yard, and also a number of persons of distinction, who were only admitted as a great favour. It is said that the prison Authorities were compelled to disappoint thousands who had applied for permission to view the last sad scene.

LARRIKIN's melancholy end will doubtless operate as a warning and an example to many romantic youths, who are only too easily led away by the morbid desire for notoriety, which is so prevalent nowadays, and which is so difficult either to account for, or discourage.—(Special Descriptive Report.)