The pink-lined parasols now in fashion were devised by some thoughtful improver of woman, to enhance beauty by imparting a roseate hue to the complexion. Unfortunately, however, the reflection from the pink silk does not always reach the face at the right angle. Sometimes it concentrates altogether upon the most prominent feature of the face, and then "Red in the Nose is She" becomes applicable to the bearer of the parasol. Couleur de rose is an expression for all that is lovely and serene, but the rose must not be worn on the nose.
Going him one Better.
The only difference between the Colossus of Rhodes and King HENRY VIII was that while Colossus was only a wonder, King H. was a Tudor.
THE PLAYS AND SHOWS.
| R. J. H. M'VICKER has for some years past conducted a Chicago theatre, of which he has been lessee, manager, and stock company. The Chicago people have liked M'VICKER'S Theatre, because it has occasionally treated them to the novel sensation of a comparatively moral performance. Occasional morality deftly inserted in the midst of a season of seductive legs, produces the same effect upon a Chicago audience that a naughty opera bouffe does upon the New York lovers of the legitimate drama. In either case there is the charm of foreign novelty; a charm, however, which soon loses its attraction. Opera bouffe in New York, and the moral drama in Chicago, can enjoy but a temporary success. The former city will always return to its love of standard comedies and SHAKSPEAREAN tragedies, and the latter will sooner or later clamor for its accustomed legs and its favorite dramas of bigamy and divorce. |
Mr. M'VICKER, having read of the MCFARLAND trial, immediately conceived the happy idea that the time had come when a Chicago actor would please a New York audience. Ha therefore flew to this city, by way of the Mississippi river and the New Orleans and Havana steamships, and last week made a debut at BOOTH'S Theatre. With an astuteness which reflects great credit upon his ability as a manager, he astonished the audience, which had assembled to be shocked by a genuine Chicago performance, by playing a part which fairly bristles with unnecessarily obtrusive morality. Thus did he present a double attraction. A Chicago actor would have been sure, in any case, of the support of the Free Love Press; but a moral Chicago actor is a surprise which appeals irresistibly to the love of novelty which exists in the theatre-going breast. The play in which he made his first appearance here, is entitled "Taking the Chances," and is from the pen of Mr. CHARLES GAYLER, to whom Dr. WATTS so beautifully referred in those touching verses:
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"Gayler, the Troubadour, Touched his guitar," |
—and further language to a like effect. Mr. M'VICKER sustained the character of "PETER POMEROY," one of those oppressive rural Yankees whose mission seems to be to drive young men into the paths of vice, by representing virtue as inextricably associated with home-spun garments, and the manners of an uneducated bull in an unprotected china shop. The following version of the play will be recognized as literally exact, by all who have not seen the original.