In the midst of Bumsteadville stands the Alms-House; a building of an antic order of architecture; still known by its original title to the paynobility and indigentry of the surrounding country, several of whose ancestors abode there in the days before voting was a certain livelihood; although now bearing a door-plate inscribed, "Macassar Female College, Miss CAROWTHERS." Whether any of the country editors, projectors of American Comic papers, and other inmates of the edifice in times of yore, ever come back in spirit to be astonished by the manner in which modern serious and humorous print can be made productive of anything but penury by publishing True Stories of Lord BYRON and the autobiographies of detached wives, maybe of interest to philosophers, but is of no account to Miss CAROWTHERS. Every day, during school-hours, does Miss CAROWTHERS, in spectacles and high-necked alpaca, preside over her Young Ladies of Fashion, with an austerity and elderliness before which every mental image of Man, even as the most poetical of abstractions, withers and dies. Every night, after the young ladies have retired, does Miss CAROWTHERS put on a freshening aspect, don a more youthful low-necked dress—

As though a rose
Should leave its clothes
And be a bud again,—

and become a sprightlier Miss CAROWTHERS. Every night, at the same hour, does Miss CAROWTHERS discuss with her First Assistant, Mrs. PILLSBURY, the Inalienable Bights of Women; always making certain casual reference to a gentleman in the dim past, whom she was obliged to sue for breach of promise, and to whom, for that reason, Miss CAROWTHERS airily refers, with a toleration bred of the lapse of time, as "Breachy Mr. BLODGETT."

The pet pupil of the Alms-House is FLORA POTTS, of course called the Flowerpot; for whom a husband has been chosen by the will and bequest of her departed papa, and at whom none of the other Macassar young ladies can look without wondering how it must feel. On the afternoon after the day of the dinner at the boarding-house, the Macassar front-door bell rings, and Mr. EDWIN DROOD is announced as waiting to see Miss FLORA. Having first rubbed her lips and cheeks, alternately, with her fingers, to make them red; held her hands above her head to turn back the circulation and make them white; and added a little lead-penciling to her eyebrows to make them black; the Flowerpot trips innocently down to the parlor, and stops short at some distance from the visitor in a curious sort of angular deflection from the perpendicular.

"O, you absurd creature!" she says, placing a finger in her mouth and slightly wriggling at him. "To go and have to be married to me whether we want to or not! It's perfectly disgusting."

"Our parents did rather come a little load on us," says EDWIN DROOD, not rendered enthusiastic by his reception.

"Can't we get a habeas corpus, or some other ridiculous thing, and ask some perfectly absurd Judge to serve an injunction on somebody?" she asks, with pretty earnestness. "Don't, Eddy—do-o-n't." "Don't what, FLORA?" "Don't try to kiss me, please." "Why not, FLORA?" "Because I'm enameled." "Well, I do think," says EDWIN DROOD, "that you put on the Grecian Bend rather heavily with me. Perhaps I'd better go."

"I wouldn't be so exquisitely hateful, Eddy. I got the gum-drops last night, and they were perfectly splendid."

"Well, that's a comfort, at any rate," says her affianced, dimly conscious of a dawning civility in her last remark. "If it's really possible for you to walk on those high heels of yours, FLORA, let's try a promenade out-doors."

Here Miss CAROWTHERS glides into the room to look for her scissors, is reminded by the scene before her of Breachy Mr. BLODGETT; whispers, "Don't trifle with her young affections, Mr. DROOD, unless you want to be sued, besides being interviewed by all the papers;" and glides out again with a sigh.