ST. MARY’S, FROM THE HIGH STREET.

Then when we look closer at this large mass of Gothic work, of great establishments squeezed into the old shapes, and elbowing scanty strips and corners of the displaced houses, the notable point about most of the work is, not how old, but how new it is. The Gothic is late, even belated. Little of it is earlier than the Perpendicular Period; much of it is more recent still, and of a kind to which purists grudge even the name of Gothic. It is true that in Oxford buildings, when made of local stone not cunningly laid, become shabby and theatrically aged in the shortest time. They look not venerable, but battered and burned, the stone hanging in rags, and leaving where it falls raw yellow patches. Mouldings and carvings drop away; pinnacles, battlements, and gables, and all outstanding features, thaw like blackened snow; walls are suddenly found wasted and thin, the rooms and towers depending on the merest crust of stone. The heads about the Sheldonian Theatre shed their beards of a rainy night. But all this is a very sham antiquity. Some of the later buildings suffer from it most, and some of the oldest look, and are, newest because of sedulous restoration. One has to search diligently for hints of the older work, and to entrap it as it looks out of its new body in some favourable light.

It is the churches, the parish churches and the towers of St. Frideswide’s and St. Mary’s, that seem most to promise age in a distant prospect, and to strike a recurrent note of antiquity as one goes about the town. The old Town Church of St. Martin at Carfax, with its picturesque altered gables and clock and “penniless bench,” is much wanted; but it was pulled down inconsiderately and rebuilt in haste. But St. Peter’s, St. Michael’s, St. Mary Magdalen’s, and St. Giles’s, are rich in beauty and interest. The lovely spire of St. Mary’s, panelled with pomegranates for Queen Eleanor, stands almost alone of the old University Church. There is, indeed, on the north of the chancel, and set at a divergent angle, a yet older building—the two-storeyed Ancient House of Congregation. Its two storeys simulate on the outer side the appearance of one to conform with the new church, but the groined roof remains of the lower room, now half-buried and given to lumber. This and the old church were the real centre of the University. In the five chapels the regents of the five faculties assembled for the Act at which disputations were held and degrees given. Not only the Schools and Theatre and Convocation House, but the University Library, too, hived off from these buildings. The first books were kept in chests in the “soler,” or upper room, and there, too, those other chests were stored that were the earliest form of University endowment. In them the money left by benefactors was kept, and lent out to poor students, who in return pawned books and daggers and other articles of value.

The colleges began as a counterpoise to the schools of the regular and mendicant orders, more particularly the latter. The friars, learned and powerful, naturally drew to them great numbers of the poor unattached scholars. Statutes ineffectually made eighteen years the lowest age of consent. The University had a hard fight to keep even its degrees in its own hands. This third great body of scholars, unattached to monks or friars, consisted of the ordinary or secular clergy, men qualifying not merely for the work of parish priests, but for what are now the lay professions of lawyer and doctor. They had a bad time of it while the friars were still popular. They had few endowments, and were forced to labour for a living, or to beg their way. It was common for poor scholars to serve as scouts. They lived either in private lodgings or in the numerous private Halls, Inns, or Hostels that covered the sites of the present colleges. Those are the second obliterated chapter among university buildings. They were simply lodging-houses, rented from the owner by a Master of Arts, who was styled Principal. By an early statute, that marks the encroachment of the University on the town, the owner of the hall was bound to let it to the first applicant who deposited the needful caution with the Vice-Chancellor. The Principal was paid by the inmates for board and tuition. The first colleges were such halls, furnished with an endowment for poor scholars, and with a set of statutes to regulate its administration. At first the scholars went to service at the nearest parish church; but gradually, as funds allowed, chapel and hall and library were built, and the familiar front with its gate-tower screened the old and new buildings. The full-grown College, as it had taken shape before the times of the Reformation and rich lay undergraduates, was a society incorporated for the benefit of poor scholars of the secular order. Its buildings replaced the single Hall or group of Halls that had been converted from private to corporate use, or else the old tenements were recast in the new mould. That new mould followed with modifications the plan of the monastic houses.

Some of these Halls still remain. But the form of university life they represented, and to a great extent the buildings themselves, have gone as completely as the Oxford of the Religious. The colleges swallowed most of them. New College accounts for ten, Merton for eight. From old prints one can gain a notion of the splendid jumble of gables and chimneys of all degrees of dignity that enriched the streets; and one is tempted to regret that some of the colleges gave up the picturesque grouping and domestic style of the clustered halls for the more monotonous and pretentious manner of their latter shape. As Henry suppressed the religious houses, so Laud suppressed the private halls, leaving five only as academic halls. Of these, one—Magdalen Hall—has left its beautiful bell-tower to Magdalen College, and its second site to Hertford. Of the rest, three are now absorbed in colleges.

MAGDALEN TOWER, FROM THE CHERWELL.