The Honduras mahogany comes in logs from two to four feet square and twelve to fourteen long; planks have been obtained seven feet wide. Its grain is very open and often irregular, with black or gray specks. The veins and figures are often very distinct and handsome, and that of a fine golden color and free from gray specks is considered the best. It holds the glue better than any other wood. The weight of a cubic foot of mahogany varies from thirty-five to fifty-three pounds. Its strength is between sixty-seven and ninety-six, stiffness seventy-three to ninety-three, and toughness sixty-one to ninety-nine--oak being considered as one hundred in each case.
There are three other species of the genus Swietania besides the mahogany tree, two of them natives of the East Indies. One is a very large tree, growing in the mountainous parts of central Hindostan, and rises to a great height, throwing out many branches toward the top. The head is spreading and the leaves bear some resemblance to those of the American species. The wood is a dull red, not so beautiful as that known to commerce, but harder, heavier, and more durable. The natives of India consider it the most durable timber which their forests afford, and consequently use it, when it can be procured, wherever strength and durability are particularly desired. The other East Indian species is found in the mountains of Sircars, which run parallel to the Bay of Bengal. The tree is not so large as any of the other species described, and the wood is of much different appearance, being of a deep yellow, considerably resembling box. The grain is close, and the wood both heavy and durable. The third species, known as African mahogany, is brought from Sierra Leone. It is hard and durable, and used for purposes requiring these properties in an eminent degree. If, however, the heart of the tree be exposed or crossed in cutting or trimming the timber, it is very liable to premature and rapid decay.
ANIMALS AND THE ARTS.
In many of the museums efforts are made to perfect economic collections of animals, so as to show how they can be applied to advantage in the arts and sciences. The collection and preparation of the corals, for example, form an important industry. The fossil corals are richly polished and set in studs and sleeve-buttons, forming rich and ornamental objects. The fossil coral that resembles a delicate chain has been often copied by designers, while the red and black corals have long been used. The best fisheries are along the coasts of Tunis, Algeria, and Morocco, from 2 to 10 miles from shore, in from 30 to 150 fathoms. Good coral is also common at Naples, near Leghorn and Genoa, and on various parts of the sea, as Sardinia, Corsica, Catalonia, Provence, etc. It ranges in color from pure white through all the shades of pink, red, and crimson. The rose pink is most valued. For a long time Marseilles was the market, but now Italy is the great center of the trade, the greater number of boats hailing from Torre del Greco, while outside persons are forced to pay a heavy tax. The vessels are schooners, lateen-rigged, from three to fourteen tons. Large nets are used, which, during the months between March and October, are dragged, dredge-like, over the rocks. A large crew will haul in a season from 600 to 900 pounds. To prevent the destruction of the industry, the reef is divided into ten parts, only one being worked a year, and by the time the tenth is reached the first is overgrown again with a new growth. In 1873 the Algerian fisheries alone, employing 3,150 men, realized half a million of dollars. The choice grades are always valuable, the finest tints bringing over $5 per ounce, while the small pieces, used for necklaces, and called collette, are worth only $1.50 per ounce. The large oval pieces are sent to China, where they are used as buttons of office by the mandarins.
THE CONCH-SHELL.
Somewhat similar in appearance to coral is the conch jewelry, sets of which have been sold for $300. The tint is exquisite, but liable to fade when exposed to the sun. It is made from the great conch, common in Southern Florida and the West Indies. The shells are imported into Europe by thousands, and cut up into studs, sleeve-buttons, and various articles of ornament. These conches are supposed to be the producers of pink pearls, but I have opened hundreds of them and failed to find a single pearl. The conch shell is used by the cameo cutter. Rome and Paris are the principal seats of the trade, and immense numbers of shell cameos are imported by England and America, and mounted in rings, brooches, etc. The one showing a pale salmon-color upon an orange ground is much used. In 1847, 300 persons worked upon these shells in Paris alone, the number of shells used being immense. In Paris 300,000 helmet-shells were used in one year, valued at $40,000 of the bull's mouth, 80,000, averaging a little over a shilling apiece, equal to $34,000. Eight thousand black helmets were used, valued at $9,000. The value of the large cameos produced in Paris in the year 1847 was about $160,000, and the small ones $40,000. In the Wolfe collection of shells at the Museum of Natural History, Central Park, is a fine specimen of the queen conch from the Florida reef, with a fine head cut into the outer surface, showing how it is done. The tools of the worker in cameos are of the most delicate description. Fine files, knitting-needle like implements, triangular-shaped steel cutters, are arranged in a seemingly endless confusion before the worker. The shell or piece of shell to be cut is either lashed or glued to a heavy block or held in the hand, and the face, animal, or other object outlined first with a delicate lead; having thus laid the foundation, the lines are gone over with a delicate needle first, then various kinds, the work gradually growing before the eye, reminding one of the work of the engraver on wood.
LIVING BEETLES, ETC.
Insects have always been used more or less in decoration, especially in Brazil, where the richly-colored beetles of the country are affected as articles of personal adornment. Recently in a Union Square jewelry store a monster beetle was on exhibition, having been sent there for repairs. It was alive, and about its body was a delicate gold band, locked with a minute padlock; a gold chain attached it to the shawl of the owner. Sometimes they are worn upon the headgear, their slow, cumbersome movements preventing them from attracting great attention. They are valued at from $50 to $100 apiece. Snakes, the rich green variety so common in New England, are worn by some ladies as bracelets, while the gorgeous reptiles are often imitated in gold and silver, with eyes of diamonds, rubies, or black pearls. Gold bears are the proper thing now for pins. In the East the chameleon is often worn as a head ornament, the animal rarely moving, and forming at least a picturesque decoration, with its odd shape and sculptured outlines. Various other reptiles, as small turtles, alligators, etc., are pressed into service. The curious soldier-crab has been used as a pin. Placed in a box with a rich pearly shell prepared for the purpose, it will change houses, and then, secured by a gold or silver chain, roams about the wearer, waving its red and blue claws in a warlike manner. Birds are, perhaps, more commonly used as natural ornaments than any other, and a cloak of the skins of humming birds is one of the most magnificent objects to be imagined. One, of a rare species, was once sold in Europe for $5,000. Single birds are often worth $700 or $800. A cloak of the skin of the great auk would bring $8,000 or $10,000. Some of the most beautiful pheasants are extremely valuable--worth their weight in gold. Tiger claws are used in the decoration of hats, and are extremely valuable and hard to obtain.