REDUCING AND ENLARGING PLASTER CASTS.
Ordinary casts taken in plaster vary somewhat, owing to the shrinkage of the plaster; but it has hitherto not been possible to regulate this so as to produce any desired change and yet preserve the proportions. Hoeger, of Gmuend, has, however, recently devised an ingenious method for making copies in any material, either reduced or enlarged, without distortion.
The original is first surrounded with a case or frame of sheet metal or other suitable material, and a negative cast is taken with some elastic material, if there are undercuts; the inventor uses agar-agar. The usual negative or mould having been obtained as usual, he prepares a gelatine mass resembling the hektograph mass, by soaking the gelatine first, then melting it and adding enough of any inorganic powdered substance to give it some stability. This is poured into the mould, which is previously moistened with glycerine to prevent adhesion. When cold, the gelatine cast is taken from the mould, and is, of course, the same size as the original. If the copy is to be reduced, this gelatine cast is put in strong alcohol and left entirely covered with it. It then begins to shrink and contract with the greatest uniformity. When the desired reduction has taken place, the cast is removed from its bath. From this reduced copy a cast is taken as usual. As there is a limit to the shrinkage of the gelatine cast, when a considerable reduction is desired the operation is repeated by making a plaster mould from the reduced copy, and from this a second gelatine cast is taken and likewise immersed in alcohol and shrunk. It is claimed that even when repeated there is no sacrifice of the sharpness of the original.
When the copy is to be enlarged instead of reduced, the gelatine cast is put in a cold water bath, instead of alcohol. After it has swollen as much as it will, the plaster mould is made as before. For enlarging, the mould could also be made of some slightly soluble mass, and then by filling it with water the cavity would grow larger, but it would not give so sharp a copy.
STRIPPING THE FILM FROM GELATINE NEGATIVES.
We have frequent inquiries as to the best means of removing a gelatino-bromide negative from its glass support so that it can be used either as a direct or reversed negative, and it does not appear to be very generally known that about two years ago Mr. Plener described a method which answers well under all circumstances, whether a substratum has been used or not.
If a negative is immersed in extremely dilute hydrofluoric acid contained in an ebonite dish, say half a teaspoonful to half a pint of water, the film very soon becomes loosened, and floats off the glass, this circumstance being due to the solvent action which the acid exercises upon the surface of the plate as soon as it has penetrated the film. If the floating film be now caught upon a plate which has been slightly waxed, and it is allowed to dry on this plate, it will become quite flat and free from wrinkles. To wax the plate, it should be held before the fire until it is moderately hot, after which it is rubbed over with a lump of wax, and the excess is polished off with a piece of flannel. When the film is dry, it will leave the waxed glass immediately, if one corner is lifted by means of a penknife. The film will become somewhat enlarged during the above-described operation; but, by taking suitable precautions, this enlargement may be avoided. It is also convenient to prepare the hydrofluoric acid extemporaneously by the action of sulphuric acid on fluoride of sodium; and, in many cases, it is advisable to thicken up the film by an additional layer of gelatine.