Not long since we gave a figure from a drawing by Mr. Grallieni, which, looked at from a distance, seemed to be a death's head, but which, when examined more closely, was seen to represent two children caressing a dog. Since then we have had occasion to publish some landscapes of Kircher and his imitators, which, looked at sideways, exhibited human profiles. This sort of amusement has exercised the skill of artists of all times, and engravings, and even paintings, of double aspect are very numerous. Chance has recently put into our hands a very curious work of this kind, which is due to a skillful artist named Gaillot. It is an album of quite ancient lithographs, which was published at Berlin by Senefelder. The author, under the title of "Arts and Trades," has drawn some very amusing faces that are formed through the tools and objects used in the profession represented. We reproduce a few specimens of these essentially original compositions of Gaillot. The green grocer is formed of a melon for the head, of an artichoke and its stem for the forehead and nose, of a pannier for the bust, etc. The hunter is made up of a gun, of a powder horn, and of a hunting horn, etc.; and so on for the other professions. This is an amusing exercise in drawing that we have thought worthy of reproducing. Any one who is skillful with his pencil might exercise himself in imagining other compositions of the same kind.--La Nature.
COMPOSITE PORTRAITS.--OCCUPATIONS.
1. Green-grocer. 2. Hunter. 3. Artist. 4. Cobbler. 5. Chemist 6. Cooper.
HAND-CRAFT AND REDE-CRAFT.--A PLEA FOR THE FIRST NAMED.
[Footnote: Read before the Worcester Free Industrial Institute, June 25, 1885.]
By DANIEL C. GILMAN, President of the Johns Hopkins University, Baltimore.
I cannot think of a theme more fit for this hour and place than handy-craft. I begin by saying "handy-craft," for that is the form of the word now in vogue, that which we are wonted to see in print and hear in speech; but I like rather the old form, "hand-craft," which was used by our sires so long ago as the Anglo-Saxon days. Both words mean the same thing, the power of the hand to seize, hold, shape, match, carve, paint, dig, bake, make, or weave. Neither form is in fashion, as we know very well, for people choose nowadays such Latin words as "technical ability," "manual labor," "industrial pursuits," "dexterity," "professional artisanship," "manufacture," "decorative art," and "technological occupations," not one of which is half as good as the plain, old, strong term "hand-craft."
An aid to hand-craft is rede-craft--the power to read, to reason, and to think; or, as it is said in the book of Common Prayer, "to read, mark, learn, and inwardly digest." By rede craft we find out what other men have done; we get our book learning, we are made heirs to thoughts that breathe and words that burn, we enter into the life, the acts, the arts, the loves, the lore of the wise, the witty, the cunning, and the worthy of all ages and all places; we learn, as says the peasant poet of Scotland,