Scientific American Supplement, No. 841, February 13, 1892

by Various

I had occasion in a note published several years ago in the Revue Scientifique to mention a parroquet which I have since continued to observe, the manifestations of whose intelligence are both interesting and instructive. Many acts of birds are difficult of interpretation. To speak only of their songs, the meanings of most of the innumerable varieties of sounds which they produce, and of their diverse warblings, escape us completely. It is not possible to find the meaning of these things except by forming suppositions and hypotheses, or by catching the connections between cries and acts. But instances of the latter kind are extremely rare in comparison with the great majority of the manifestations made by animals.

Thus, to select examples which every one can observe, when a canary bird is warbling in its cage and becomes deafening, or when a lark rises straight up in the air and incantat suum tirile tirile—sings its tirile tirile—as Linnæus picturesquely expresses it; when a tomtit, leaping from branch to branch of a willow or among the reeds, repeats its florid warblings; when a raven croaks; when a blackbird whistles—what significance can we attach to their songs and their cries? Certainty is impossible, and we can only form more or less plausible hypotheses concerning the interpretation of them.

The parrot furnishes us one more aid in this matter than other birds, and this helps us, to a certain extent, in overcoming the difficulty of interpretation. It has an articulate voice, and when we have taught it a few words, the meaning which it gives them may be better divined by us according to the tone and the rapidity or slowness of its utterance. This permits us to discover the feelings that move it, for we can better judge from an articulate sound than from one that is merely musical.

Much has been written on the language of animals. It is neither my desire nor my intention to repeat here all that may have been said on this subject. It would take too long and would be of no use. I have often witnessed facts that may be of interest to those who are occupied with the mental manifestations of animals. I will simply relate them; and of such as are already known, I will merely mention them anew, admitting in advance a priority for others which I do not demand for myself.

There can be no doubt that animals communicate their impressions by an inarticulate voice. Common sense and the most superficial observations are opposed to the negative of this proposition. But when a canary bird warbles till it stuns us, or a nightingale sings in the shadows on the fine nights of June, can we follow and discover the significance of those modulations—now sharply cadenced, now slowly drawn out, and ending with a trill long and accurate enough to challenge the most skillful musician?

All the poets of every country have constantly sung of the songs of Philomela. But their fervent and enthusiastic verses cast little light on the value of the nightingale's song. It is said that the male sings for the entertainment of the sitting female, but there is no proof of the assertion. The note warning of the approach of danger is easier to recognize. The bird utters a short, hoarse cry, and repeats it with a succession of trrre, trrre, which is impossible to mistake. When we hear this cry we may be sure that an enemy is near. Music gives way to a cry of distress and warning, and the female leaves her nest if the sounds become piercing. What do we know of the gobbling of the turkey, which the whistling and the cries of children excite? They are doubtless responses to those challenges; but what do they mean?

The crowing of the cock, recurring regularly at fixed hours, has some signification, but we cannot comprehend it. If on a fine afternoon in autumn the cock crows, and repeats his strain between two and four o'clock, the countrymen in some places will say there will be a fog on the morrow, and they are generally not mistaken. Hens do not mistake his notes either; when a leader of the troop, coming upon a spot rich in food, utters his peculiar chuckle, they run from all around to share the find with him. It is evident that the cock has called them and they have understood him. These facts indicate that there is some definite sense in this inarticulate language; and examples of it, taken from other groups, might be multiplied.

The dog, intelligent animal as he is, manifests his affection on meeting his master, with peculiar cries which vary with the intensity of his joy. No one could confound these notes of pleasure with those which he utters when he is angrily driving away a beggar, or when he meets another dog of unpleasant appearance and puts himself in the position of attack.

An interesting study of the voice of the dog on guard may be made in the country at night. If another dog barks in the distance, the house dog answers in a peculiar manner. He gives a few growls, stops, seems to listen, begins again, very often getting answers; and, after two or three interruptions, he terminates his barking with abrupt yelps, loud at the beginning and long drawn out, and gradually dying away. This ending of his cries is habitually accompanied by his raising his head and throwing it back. I have often, when within the house, on hearing the watch dog bark in this way, opened the window to assure myself on the subject, and distinguished, as I could not do with the windows closed, the voice of another watch dog barking in the same way in the distance—the barkings of the two dogs alternating, one answering the other. There is in such cases an evident communication of impressions. One of the dogs, having had his attention aroused by some unusual noise, has transmitted his impression to the other, as sentinels posted at intervals call out theft warnings one to another. I have often repeated this observation during the long evenings of winter.

Another example, little known in thickly populated countries, is drawn from a curious scene which I witnessed during a winter passed in Perigord Noir. We had remarked that for several nights the three watch dogs, a young and an old male and a bitch, howled often toward midnight, but in a peculiar way. One night in particular, during their tedious concert, just as we had got to sleep, they mingled with their cries howlings like those they would have uttered if they had been beaten, with a shading hard to define, but which we perceived plainly; and we remarked that, leaving their kennel in the avenue that led up to the lodge, they had come to close quarters with one another at the gate, with alternating howlings and plaintive cries. Inquiring in the morning for the cause of these singular cries, the peasants told me that a wolf had passed, and predicted that it would return. They said, too, that a neighbor's hunting bitch had disappeared, and its bones had been found in the fields near a wood. We were awakened again about midnight by the cries of the dogs, and the scene was renewed. Informed as we now were of the nature of what was going on, we ran to one of the windows, whence we could see, in the clear light of the moon, all that passed. The three dogs were cowering against the gate, the oldest one howling by the side of the others, while the younger one and the bitch were exposed at intervals to the attacks of another animal, browner than they, and of about their size, without defending themselves, but moaning as if they were undergoing a vigorous correction.