To the north, somewhat apart from the reach of the treacherous river, lie the health-giving piny woods, and along the big, sullen stream the sugar plantations, some of them still the home of a lavish hospitality, some of them transformed into mere places of trade, where thrift and push have elbowed out all that fine gallantry and ease and ample hospitality of an earlier day—that hospitality which will ever remain a leading characteristic of the people. To be a Southern man or a Southern woman and to be inhospitable—that is not possible in the nature of things.

A PICTURESQUE FRONT IN THE FRENCH QUARTER.

It is, when all is said and done, on the gallery that this city lives most of its life—on the gallery even more than on the evening-thronged banquette, which is the sidewalk of the North, or the boulevards, or even the fragrant parks, where life flows in a fair, placid stream. Some there must be who toil by day in shop, or at counter, or in dim accounting-rooms, or on the floors of the marts where fortunes are made and lost in sugar or cotton or rice. For such the gallery is a haven of rest. If they must pass the earlier day indoors, for them the gallery during the long, late afternoon, and the ghost of a twilight, and the long evenings far into the starry night. The ghost of a twilight indeed—the South knows no other. Sometimes I have watched the long, splendid twilight come down over the wild Canadian forest—slowly delaying; creeping up the low mountains; halting from hour to hour in the glades below; shade after shade in the glorious sky of the west gradually merging into the dimness of the oncoming dusk; the moments passing so slowly, the day fading so elusively, until, at last, when even the low moon has hung out its silver sign in the west and the stars are pricking through, it is still twilight along the lower earth. And still farther to the north, around the globe in the far upper Europe, with the polar circle below you, it is like living on a planet of eternal day to sit through the northern light and feel about you the all-pervasive twilight of the land of the midnight sun. But the night is so hasty here, and the day is swift; and between them runs but a slender, dim thread.

OLD PLANTATION VILLA ON ANNUNCIATION STREET.


The gallery is a feature of every house in this city that lives outdoors, be it big or little, humble or grand, or lowly or mean. It is on the first floor or the second, or even the third, though the third it seldom reaches, for few people care for houses of great height. Indeed, there are hundreds of homes of but one story, full of the costliest tokens of the taste of an artistic people. And the soil below is so like a morass that ample space must be left between floor and earth; while as for cellars, I have heard of but two in all the great city. The gallery may run around the entire house, flanked and set off by splendid pillars with capitals rich and ornate; it may run across one end of the residence and be a marvel of rich ironwork, as fine as art and handicraft can make it, with, mayhap, the figures of its field outlined in some bit of color, as gold or green; it may be but a single cheap wooden affair, paintless, dingy, dilapidated, weather-worn, and stained with neglect; but a gallery it is still, an important social feature of this outdoor life.

Over the gallery grow the roses; out near at hand a bignonia-vine lifts its yellow flare aloft and throws down a fluttering shower of bell-like blooms, and all the air is heavy with the scents of the South. So through the long evening the people sit upon the gallery and chat or read or sing or doze or plan or discuss their family affairs. By day the galleries are protected with gay-colored awnings or those filmy woven sheets of reeds which keep out the glare and let through the light and the fragrant breeze. Children make of the gallery a play-house; young people here entertain their friends; the elders discuss the affairs of a nation or dwell on that wonderful past through which this ancient Southern city has come tumultuously down through the lines of Castilian and Saxon and Gaul.