[Fairies run off, while the Mother leads out the little Boy. After the Fairies have disappeared, their song, “We are the fairy folk” is heard once more, very distant.]
COSTUMES
The costumes for this play are simple, but very effective. The fairies should all wear white—ordinary summer dresses do very well. Over these are worn slips made of green cheese cloth. Each slip is made of one piece, doubled and stitched together at the sides and to form the wide kimono sleeves. The neck is cut out low for the girls and left high for the boys, the bottom is slashed up to form points or scallops that show the white dress underneath. The back is slit to allow room for the fastening of the wings.
The wings are made by bending a piece of wire—one continuous piece for each pair of wings—and covering this with pink tarlatan, doubled. They were fastened between the shoulders by tapes that passed around the chest and over the shoulders. Note the point of attachment for the tapes, on the beginning of each wing and not on the wire connecting them. When the tape is fastened only to the connecting wire the wings droop too much. A little experimenting will ensure success. Sometimes, if the adjustment is exactly right, the wings move a little with the motion of the child’s shoulders, and look very real indeed. After the wings are on, a bit of green cheese cloth is pinned across at their base to conceal the attachment.
The little boy was dressed in a green tunic, belted in. The flower wreaths may be made and left on the grass until they are needed, or the fairies may bring them in with them. All the fairies wore flower hats, made of crêpe paper of different colors, slashed in points so that they looked like double tulips. Each cap was of two layers of paper, of contrasting color—blue over white, white over pink, red over yellow, etc.
The mother’s costume need not be made especially for the play, but it should be inconspicuous in color and simple in its lines. The witch has the conventional peaked cap, hair hanging straight about her face, old shawl, and big cane.
The part of the boy should be taken by a very little child—not more than five years old, and preferably not over four.
Wire for Wings.
Cap.
Green Slip.
The fairy songs do not necessarily have to be sung, but they are prettier if the children have true enough voices. They should not be sung loud. If they are not sung they may be half intoned in a more or less musical sing-song. The music as written is furnished with very simple accompaniments, such as could be rendered out of doors by guitars or mandolins, or two violins playing pizzicato. As given last year a violin and harp were used, and the result was very beautiful.