A GALLERY IN THE LOUVRE.
When we have satisfied ourselves with what Paris itself is, although we have not seen anything like the whole of it, we shall set about visiting some of its especial attractions. And the first place we shall go to will be the great palace of the Louvre. This palace, with its courts and buildings, covers some twenty acres. Here have lived kings, queens, and princes; but now the palace has been made into a museum for the people, and its grand halls and galleries are filled with paintings, statuary, and other works of art, ancient and modern, from all parts of the world. It would take many, many visits even to give one look at every painting and statue in the Louvre; but if we have not much time to spare, it is possible to see the best things without walking ourselves to death through the never-ending galleries. Some of the finest paintings of Raphael, Da Vinci, Murillo, and other great masters, are collected in one room, which many persons would think well worth coming to Paris to see, if they saw nothing else. The original statue of the noble Venus de Milo is in the sculpture galleries; and in the Egyptian museum, which is so full that the history of Egypt may be studied here almost as well as in that land itself, we shall see a large stone sphinx which once belonged to that king of Egypt from whom the children of Israel fled, and the inscriptions on it show that it must have been a pretty old sphinx even when Pharaoh had it. In another part of the museum are three life-size figures in stone, which are portraits of persons who lived before the great pyramids were built, about 4000 years before the Christian era.
BIRD'S-EYE VIEW OF THE LOUVRE.
Altogether, the collections of the Louvre are among the finest and most extensive in the world, and they have a great advantage over the galleries of the Vatican at Rome: In the Vatican some of the galleries are open on one day and some on another, some requiring one kind of order of admission, some another, and others yet another, and these permits are sometimes troublesome to obtain;—but the galleries of the Louvre are free to all, rich or poor, who may choose to walk into them on any day of the week except Monday, which is always reserved for cleaning, dusting, and putting things in order.
HOTEL DE CLUNY.
In the old palace of the Luxembourg, a very much smaller building, there is another valuable collection of paintings, but all by French artists; and the Hotel de Cluny, not far away, is a small palace of the Middle Ages, and is one of the quaintest, queerest, pleasantest, and most home-like palaces we are likely to meet with. It is now a museum, containing over ten thousand interesting objects, mostly relating to mediæval times. Here, among the other old-time things, we can see the very carriages and sleighs in which the great people of the seventeenth century used to ride. Those of us who suppose that we have now left the Romans for good must not fail to visit some large baths adjoining this palace, built about the end of the third century, when the Romans had possession of Gaul. They then had a palace on this spot, and felt bound, as the ancient Romans always did, to make themselves comfortable with baths and everything of the kind. There are other museums and art exhibitions in Paris, but those we have seen are the most important; and it is very pleasant to find that they are greatly frequented by the poorer classes of the city, who are just as orderly and well behaved while walking about these noble palaces as if they belonged to the highest families of the land. In the great garden of the Tuileries, in the courts and gardens attached to the Louvre, the Luxembourg, the Palais Royal, and in all the pleasure-grounds of the city, we find the poor people enjoying themselves; and in some cases they seem to get more good out of these places than do the rich. The old women sit knitting in the shade of the trees; the little babies with their funny caps toddle about on the walks; the boys and girls have their games in the great open spaces around the fountains, and while those who have a cent or two to spare can hire little chairs and put them where they like, there are always benches for those who have no pennies to spend. The convenience of resting one's self in the open air is one of the comforts of Paris. In many places along the principal streets, there are benches on the sidewalk, where weary passers-by may rest shaded by the trees. In one part of the city, chiefly inhabited by the poor and the working people, a fine park has been laid out entirely for their accommodation. In very many ways the French government offers opportunities to the poor people to enjoy themselves, and it is pleasant to see how neat, orderly, and quiet these people are. It is very necessary that they should be kept in good humor, for when the lower classes of Paris become thoroughly dissatisfied, they are apt to rise in fierce rebellion, and then down go kings, governments, and palaces.
