Not long after his return to England, Reynolds settled himself in London. He lived in handsome rooms in St. Martin's Lane, and his sister Frances was his housekeeper.

Very soon Reynolds's studio came to be the popular resort of artists, and, through the influence of Lord Edgecumbe, many nobles became his patrons. He painted a full-length portrait of Commodore Keppel, which at once established his reputation. The Commodore was represented as standing on a rocky shore with a stormy sea in the background. This picture was received with enthusiasm, and in his second London year Reynolds had one hundred and twenty sitters, among whom were many notable people. The artist removed to Great Newport street, and charged twelve guineas for a bust, twenty-four guineas for half-length and double that sum for a full-length portrait.

Dr. Johnson and Reynolds met for the first time in 1753, and from that time they were faithful friends. Dr. Johnson delighted not only in Reynolds's success as a painter, but, perceiving his other talents, he insisted on his writing for The Idler, by which means the artist published a series of brilliant articles and made himself a name in literary circles. This kindness was more than repaid, for, after Dr. Johnson became too poor to keep house for himself, he was always welcome to the home and purse of Reynolds.

In 1760, the master again raised his prices for his work, and at about the same time established himself in the house in Leicester Square, in which he passed the remainder of his life. This house was very fine, and, though it exhausted all his savings to fit it up, he spent still more in setting up a gorgeous carriage for his sister, and in other expenses which served to advertise his success to all who observed them.

Reynolds seemed to have reached the height of popularity, when, in 1768, he was elected first President of the Royal Academy, and was knighted by the King. He was of great advantage to the Academy, and heartily devoted to its interests. He was active in establishing its schools and equipping them with models, libraries, and conveniences for study; he gave much attention to its exhibitions, and founded the famous Academy dinners, at which men of rank and genius were brought together in such a way as to render these occasions the most remarkable gatherings in the United Kingdom. From time to time he also delivered his well-known "Discourses on Art," which are notable alike for the good judgment in the selection of the subjects treated, and for the literary skill with which they are written.

About 1770, Sir Joshua built a villa at Richmond Hill. In the same year, he spent a month in Plympton, and at that time also, he brought to his home his niece, Theophila Palmer, who remained with him until her marriage, eleven years later. She was very beautiful, and is known to all the world as the "Offy" of the famous "Strawberry Girl." Other pictures of her which Sir Joshua painted also became famous.

With the exception of the trip with Commodore Keppel Sir Joshua spent little time out of England. In 1768 he visited Paris, and in 1780 he passed two months in Holland and Germany. When absent from London, he was usually at the house of some friend in the country, or at his old home, of which he was always fond.

COPY OF A PORTRAIT BY SIR JOSHUA REYNOLDS.

Few men have been so much admired by such a diversity of people as was Sir Joshua Reynolds. The testimony of his friends presents him to us as a man of admirable character. Perhaps no one knew him more intimately than James Northcote, who was received into his family as a poor Devonshire lad; he remained with Sir Joshua five years, and left him a prosperous painter. Northcote found him kindly, modest, and lovable in every way. He thus describes him personally: "In his stature, Sir Joshua Reynolds was rather under the middle size, of a florid complexion, roundish, blunt features, and a lively aspect; not corpulent, though somewhat inclined to it, but extremely active; with manners uncommonly polished and agreeable. In conversation, his manner was perfectly natural, simple, and unassuming. He most heartily enjoyed his profession, in which he was both famous and illustrious; and I agree with Mr. Malone, who says he appeared to him to be the happiest man he had ever known."